Burnham Bryan R, Long Emma, Zeide Jake
Department of Psychology, The University of Scranton, Scranton, PA, 18510, USA.
Atten Percept Psychophys. 2021 Jan;83(1):399-414. doi: 10.3758/s13414-020-02198-6. Epub 2020 Nov 23.
One factor affecting the qualia of music perception is the major/minor mode distinction. Major modes are perceived as more arousing, happier, positive, brighter, and less awkward than minor modes. This difference in emotionality of modes is also affected by pitch direction, with ascending pitch associated with positive affect and decreasing pitch with negative affect. The present study examined whether pitch direction influenced the identification of major versus minor musical modes. In six experiments, participants were familiarized with ascending and descending major and minor modes. We then played ascending and descending scales or simple eight-note melodies and asked listeners to identify the mode (major or minor). Identification of mode was moderated by pitch direction: major modes were identified more accurately when played with ascending pitch, and minor modes were identified better when played with descending pitch. Additionally, we replicated the difference in emotional affect between major and minor modes. The crossover pattern in mode identification may result from dual activation of positive and negative constructs, under specific combinations of mode and pitch direction.
影响音乐感知特质的一个因素是大/小调模式的区别。与小调模式相比,大调模式被认为更能唤起情绪、更欢快、积极、明亮且不那么别扭。模式在情感方面的这种差异也受到音高方向的影响,音高上升与积极情感相关,音高下降与消极情感相关。本研究考察了音高方向是否会影响大调和小调音乐模式的识别。在六个实验中,让参与者熟悉上升和下降的大调和小调模式。然后我们播放上升和下降的音阶或简单的八音符旋律,并要求听众识别模式(大调或小调)。模式识别受到音高方向的调节:当以上升音高演奏时,大调模式的识别更准确,而当以下降音高演奏时,小调模式的识别更好。此外,我们重现了大调和小调模式在情感影响上的差异。模式识别中的交叉模式可能是由于在模式和音高方向的特定组合下,积极和消极结构的双重激活所致。