Department of Dermatology, University of Pennsylvania, Philadelphia, Pennsylvania, USA.
Department of Dermatology and Cutaneous Biology, and Jefferson Center for International Dermatology, Sidney Kimmel Medical College at Thomas Jefferson University, Philadelphia, Pennsylvania, USA.
Clin Dermatol. 2020 Sep-Oct;38(5):555-562. doi: 10.1016/j.clindermatol.2020.05.013. Epub 2020 May 19.
Wax models have occupied a unique position in the teaching of dermatology. The wax model offers a unique presentation of the morphology, often not captured by other methods. Much has already been written about the unfortunate fate of many of these collections. Some models went to historical collections, a few were saved to continue their didactic purpose, and still others met their untimely demise. There has been renewed interest in the preservation of these models in recent years, from dermatologists and historians alike, and this has led to increasing efforts to document the origin, migration, exhibition, and maintenance of these collections. Our mission for this study is to report on our findings of the existence and whereabouts of dermatologic wax models since the 1990 survey. Even with the advent of the Internet and interest generated for preserving these wonderful illustrations of dermatologic conditions, many collections have remained unknown or dismantled. In the end, wax models have survived the introduction of hand-colored artist's renditions, color photography, and even computerized illustrations. Although no longer the premier teaching tool of yesteryear, their survival reflects upon the development of dermatology and the initial transition from hand-colored prints to our current digital-oriented age.
蜡模在皮肤科教学中一直占据着独特的地位。蜡模能够独特地呈现形态,这是其他方法往往无法捕捉到的。关于这些收藏的许多不幸命运,已经有很多文献记载。一些模型进入了历史收藏,少数被保存下来继续发挥其教学用途,还有一些则过早地消失了。近年来,皮肤科医生和历史学家都对这些模型的保存重新产生了兴趣,这导致了越来越多的努力来记录这些收藏的起源、迁移、展览和维护。我们这项研究的任务是报告自 1990 年调查以来皮肤科蜡模的存在和下落。即使有互联网的出现以及对保存这些皮肤病精彩插图的兴趣,许多收藏仍然不为人知或已经解体。最终,蜡模在手工上色的艺术家渲染、彩色摄影甚至计算机化插图的引入中幸存下来。尽管它们不再是昔日的主要教学工具,但它们的幸存反映了皮肤病学的发展以及从手工上色印刷到我们当前数字化时代的最初转变。