Burke's "sensitive" sublime rooted in brain and body versus Kant's transcendental concept in the German Romantic discourse.

During the 18th century, debates about what constituted the sublime flourished in Europe, and particularly in Germany. These debates were nourished by two different visions: The Kantian concept supposed that the sublime is supra-sensible and rooted in reason (Logos) rather than in the object, thus provoking a mental state of tension between nature and art; Edmund Burke's concept, on the other hand, conceived of the sublime as a bodily immersive experience, which we here define as "sensitive" sublime. In summary, Burke's view of the sublime is rooted in the senses and not in the power of reason, unlike Kant's. This was to disrupt the mainstream ideas of that time, unconsciously anticipating some of the recent neuroaesthetic acquisitions regarding the central role played by the sensory apparatus in the experience of beauty and of the sublime.