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飞行时间二次离子质谱成像技术对尼古拉斯·普桑《酒神巴克斯的狂欢》画作横截面上的分析。

Time-of-Flight Secondary Ion Mass Spectrometry Imaging of Cross Sections from the Bacchanals Paintings of Nicolas Poussin.

机构信息

Sorbonne Université, CNRS, Laboratoire d'Archéologie Moléculaire et Structurale, LAMS, 4 place Jussieu, 75005 Paris, France.

Museo Nazionale d'Arte Antica, Palazzo Barberini, Via delle Quattro Fontane, 13, 00184 Roma, Italy.

出版信息

Anal Chem. 2021 Mar 16;93(10):4463-4471. doi: 10.1021/acs.analchem.0c04471. Epub 2021 Mar 4.

DOI:10.1021/acs.analchem.0c04471
PMID:33661602
Abstract

The two paintings Infant Bacchanals (Museo Nazionale d'Arte Antica, Palazzo Barberini, Rome, Italy) executed by Nicolas Poussin (Les Andelys, 1594-Rome, 1665) in around 1626 are thought to have been painted "a guazzo", which means either with a glue or with an egg binding medium. To date, this has never been confirmed through analysis. Dual-beam time-of-flight secondary ion mass spectrometry (TOF-SIMS), using a bismuth cluster liquid metal ion gun and an argon gas cluster ion beam, allows the mapping of organic and inorganic matter on paintings cross sections, with the possibility to acquire submicrometer-resolution mass spectrometry images of the sample, together with high mass resolution using a delayed extraction of secondary ions. The surfaces of cross sections from both paintings were prepared beforehand either by polishing or by microtome cutting and then cleaned with the gas cluster ion beam directly inside the vacuum chamber of the instrument. The nature of the binders in the two paintings was investigated by TOF-SIMS analyses. By considering the uneven physical properties of the heterogeneous analyzed surfaces, several high-resolution images were recorded with different instrument settings. The detection of lipids seems to point toward an oil-containing medium, rather than a glue-binding medium. An emulsion made of oil and glue is another hypothesis to be explored to better understand the artist's working methods in his early career.

摘要

两幅画作《婴儿酒神节》(意大利罗马巴贝里尼宫国立古代艺术博物馆)由尼古拉斯·普桑(1594 年生于勒阿弗尔,1665 年卒于罗马)于 1626 年左右创作,据推测是用“蛋彩画”绘制的,这意味着使用胶水或蛋清作为媒介。迄今为止,这一点从未通过分析得到证实。双束飞行时间二次离子质谱(TOF-SIMS)使用铋团簇液态金属离子枪和氩气团簇离子束,可以在绘画横截面的有机和无机物上进行映射,有可能对样品进行亚微米分辨率的质谱成像,并使用二次离子的延迟提取实现高质量分辨率。两幅画作的横截面表面事先经过抛光或切片处理,然后直接在仪器的真空室内用气体团簇离子束进行清洁。通过 TOF-SIMS 分析研究了两幅画作中粘结剂的性质。考虑到分析表面不均匀的物理特性,使用不同的仪器设置记录了几张高分辨率图像。脂质的检测似乎指向含有油的媒介,而不是胶水媒介。另一种假设是,油和胶水的乳液是为了更好地了解艺术家在其早期职业生涯中的工作方法而需要探索的另一种假设。

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