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Arch Environ Occup Health. 2020;75(4):216-225. doi: 10.1080/19338244.2019.1607816. Epub 2019 Apr 29.
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Hearing Loss, Tinnitus, Hyperacusis, and Diplacusis in Professional Musicians: A Systematic Review.职业音乐家的听力损失、耳鸣、听觉过敏和双重听力:系统评价。
Int J Environ Res Public Health. 2018 Sep 26;15(10):2120. doi: 10.3390/ijerph15102120.
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Noise-Induced hearing loss among professional musicians.职业音乐家的噪声性听力损失
J Occup Health. 2017 Jan 24;59(1):33-37. doi: 10.1539/joh.16-0217-OA. Epub 2016 Nov 16.
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Musician earplugs: Appreciation and protection.音乐家专用耳塞:欣赏与保护。
Noise Health. 2015 Jul-Aug;17(77):198-208. doi: 10.4103/1463-1741.160688.
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Changing beliefs about leisure noise: using health promotion models to investigate young people's engagement with, and attitudes towards, hearing health.改变对休闲噪音的看法:运用健康促进模型调查年轻人对听力健康的参与度及态度。
Int J Audiol. 2015 Apr;54(4):211-9. doi: 10.3109/14992027.2014.978905. Epub 2014 Dec 10.
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Symphony orchestra musicians' use of hearing protection and attenuation of custom-made hearing protectors as measured with two different real-ear attenuation at threshold methods.交响乐团音乐家使用听力保护装置以及定制听力保护器通过两种不同的阈值下真耳衰减测量方法测得的衰减情况。
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Prevention of adolescents' music-induced hearing loss due to discotheque attendance: a Delphi study.预防青少年因参加迪斯科舞厅而导致的音乐性听力损失:德尔菲研究。
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Am J Ind Med. 2005 Dec;48(6):446-58. doi: 10.1002/ajim.20223.

音乐家噪声水平及听力损失风险评估

Assessment of noise level and risk of hearing loss among musicians.

作者信息

Hirata Vanessa Yumi, Buss Gisele Dias, Polanski José Fernando

机构信息

Otorrinolaringologia, Faculdade Evangélica Mackenzie do Paraná, Curitiba, PR, Brazil.

Otorrinolaringologia, Universidade Federal do Paraná, Curitiba, PR, Brazil.

出版信息

Rev Bras Med Trab. 2021 Mar 3;18(4):457-463. doi: 10.47626/1679-4435-2020-591.

DOI:10.47626/1679-4435-2020-591
PMID:33688328
原文链接:https://pmc.ncbi.nlm.nih.gov/articles/PMC7934170/
Abstract

INTRODUCTION

music is performed with specific drums, which produce loud and low-tone sounds that can potentially lead to hearing risk.

OBJECTIVES

To assess sound pressure levels and hearing safety of musicians who play in groups.

METHODS

Using a decibel meter, noise exposure was measured in two different groups (group 1 and group 2), which are divided into categories: (group 1 = five categories - junior, free, general a, general b, and master, and group 2 = two categories - adult and child). The calculation of the daily noise dose was based on the Brazilian Occupational Hygiene Standard 01, which establishes the following classification: acceptable dose (between 0 and 50%), above the action level (50 to 80%), uncertain dose level (80 to 100%), and above the acceptable level (more than 100%).

RESULTS

In group 1 categories, the daily noise doses obtained were: junior = 88%; general B = 423%; master = 218%; general A = 370%, and free = 150%. In the adult and children categories of group 2, the results were 127 and 17%, respectively.

CONCLUSIONS

musicians are exposed to daily noise doses above the safe level, except for the junior categories in group 1, and the children, in group 2 - which showed daily noise doses at an uncertain dose level, and at an acceptable level, respectively.

摘要

引言

音乐表演使用特定的鼓,这些鼓会发出响亮和低沉的声音,可能会导致听力风险。

目的

评估集体演奏的音乐家的声压水平和听力安全性。

方法

使用分贝仪,在两个不同的组(第1组和第2组)中测量噪声暴露,这两个组又分为不同类别:(第1组 = 五个类别——初级、自由、普通A、普通B和大师级,第2组 = 两个类别——成人和儿童)。每日噪声剂量的计算基于巴西职业卫生标准01,该标准规定了以下分类:可接受剂量(0至50%之间)、高于行动水平(50至80%)、不确定剂量水平(80至100%)和高于可接受水平(超过100%)。

结果

在第1组的类别中,获得的每日噪声剂量为:初级 = 88%;普通B = 423%;大师级 = 218%;普通A = 370%,自由 = 150%。在第2组的成人和儿童类别中,结果分别为127%和17%。

结论

除了第1组的初级类别和第2组的儿童外,音乐家每天暴露于高于安全水平的噪声剂量下——第1组的初级类别显示每日噪声剂量处于不确定剂量水平,第2组的儿童则处于可接受水平。