Department of Radiological Sciences, University of California, Irvine, California, USA. Jeffrey A. Russell, PhD, AT, FIADMS, School of Applied Health Sciences and Wellness, Laboratory for Science and Health in Artistic Performance, Ohio University, Athens, Ohio, USA.
Department of Dance, The Claire Trevor School of the Arts, and Department of Physical Medicine and Rehabilitation, School of Medicine, University of California, Irvine, California, USA.
J Dance Med Sci. 2021 Mar 15;25(1):38-45. doi: 10.12678/1089-313X.031521f.
The ankles of ballet dancers are routinely under heavy loading that may lead to osteoarthritic changes. It would be clinically useful to identify such pathology as early as possible in a dancer's career. Therefore, the purpose of this study was to compare quantitative measurements in magnetic resonance (MR) images of the talocrural and talonavicular joints in ballet dancers and healthy non-dancers for use in formulating prediction of chronic injury and degenerative joint disease in these locations. Quantitative measurements in MR images of the talocrural and talonavicular joints were compared in 10 female ballet dancers, 10 healthy female non-dancers, and nine male ballet dancers. Fat-suppressed density-weighted proton, T1rho, and T2 mapping images were acquired with a 3.0 T MR scanner. Medial and lateral subchondral bone distance between the tibia and talus (MSBD and LSBD), axial navicular-talus axis angle (ANT angle), sagittal talar neck angle against the posterior talocalcaneal joint (TN angle), and curvature of navicular surface at the talonavicular joint were measured on sagittal images. The medial subchondral bone distance was found to be significantly larger in female dancers than female non-dancers (4.05 mm vs. 2.75 mm, p < 0.05), whereas there were no significant differences in LSBD (2.63 mm vs. 2.63 mm, p = 0.87). Axial navicular talus angles in female dancers were significantly larger than those in female non-dancers (38.9° vs. 24.3°, p < 0.05). There was a tendency for the TN angle to be smaller and navicular curvature (NC) to be larger in female dancers compared to female non-dancers, though the differences were not significant (TN angle: 16.6° vs. 22.3°, p = 0.09, and NC: 0.186 vs. 0.165, p = 0.28). There were no significant differences in T1rho or T2 values of talonavicular joint cartilage. These results show that the bony anatomy of dancers' ankles may adapt to the stresses placed on them by ballet.
芭蕾舞演员的踝关节经常承受着很大的负荷,这可能导致骨关节炎的改变。如果能在芭蕾舞演员的职业生涯早期尽早发现这种病理,将具有重要的临床意义。因此,本研究的目的是比较芭蕾舞演员和健康非芭蕾舞演员的距骨和跟骨关节的磁共振(MR)图像中的定量测量值,以便预测这些部位的慢性损伤和退行性关节疾病。
我们比较了 10 名女性芭蕾舞演员、10 名健康女性非芭蕾舞演员和 9 名男性芭蕾舞演员的距骨和跟骨关节的 MR 图像中的定量测量值。使用 3.0T 磁共振扫描仪采集脂肪抑制密度加权质子、T1rho 和 T2 映射图像。在矢状图像上测量胫骨和距骨之间的内侧和外侧软骨下骨距离(MSBD 和 LSBD)、轴向跟骨-距骨轴角(ANT 角)、跟骨后距跟关节的距骨颈矢状角(TN 角)和跗骨-跟骨关节处的跗骨表面曲率。
结果发现,女性芭蕾舞演员的 MSBD 明显大于女性非芭蕾舞演员(4.05mm 比 2.75mm,p<0.05),而 LSBD 无显著差异(2.63mm 比 2.63mm,p=0.87)。女性芭蕾舞演员的 ANT 角明显大于女性非芭蕾舞演员(38.9°比 24.3°,p<0.05)。与女性非芭蕾舞演员相比,女性芭蕾舞演员的 TN 角有变小、NC 有变大的趋势,但差异无统计学意义(TN 角:16.6°比 22.3°,p=0.09,NC:0.186 比 0.165,p=0.28)。跗骨-跟骨关节软骨的 T1rho 和 T2 值无显著差异。
这些结果表明,芭蕾舞演员踝关节的骨骼解剖结构可能适应芭蕾舞带来的压力。