Médico psiquiatra, Escuela Internacional de Doctorado, Universidad de Murcia, España; Investigador afiliado, Suicide and Mental Health Research Group, University of Otago, Wellington, Nueva Zelanda.
Psicóloga, investigadora independiente, Murcia, España.
Rev Colomb Psiquiatr (Engl Ed). 2021 Apr-Jun;50(2):116-129. doi: 10.1016/j.rcp.2019.09.003. Epub 2020 Jan 9.
The analysis of songs as discursive practices contributes to the understanding of the social representations of mental disorders in specific populations, as has been suggested in the literature. The aim of this article is to expand the knowledge about the depictions of madness (a broader but less delimited concept than psychosis) in the popular music focussing on emerging themes and their cross relations within the discourses of the madness in Spanish punk.
Qualitative research method. After the review of 3,653 songs (1981-2010) insights from the Thematic Analysis of all the 163 identified lyrics of Spanish punk songs with the terms 'mad,' 'madness' or other related words are provided.
After a thorough discussion of the main themes, the expression of subculture's identity became evident. Its otherness was recognizable on the exaltation of madness as loss of control or unpredictability as well as its links with crime, substance abuse or ideological opposition, among others.
The idea of dangerousness linked to 'madness' emerges as a final pathway of different identified themes, suggesting a potential explanation for the general population attitudes towards the theme of madness.
正如文献中所建议的那样，对歌曲进行话语实践分析有助于理解特定人群中精神障碍的社会表征。本文的目的是扩展关于流行音乐中疯狂（比精神病更广泛但限定不那么严格的概念）的描述，重点关注新兴主题及其在西班牙朋克的疯狂话语中的交叉关系。
定性研究方法。在对 3653 首歌曲（1981-2010 年）进行审查后，对 163 首确定的西班牙朋克歌曲歌词中出现的“疯狂”、“疯狂”或其他相关词进行了主题分析。
在对主要主题进行了深入讨论之后，亚文化身份的表达变得明显。它的他者性可以从对疯狂的赞美中辨认出来，比如失去控制或不可预测性，以及它与犯罪、药物滥用或意识形态对立等其他方面的联系。
与“疯狂”相关的危险性观念是不同确定主题的最终途径，这为大众对疯狂主题的态度提供了潜在的解释。
