Biology Department, University of Wisconsin-La Crosse, La Crosse, Wisconsin 54601, USA; email:
Annu Rev Entomol. 2022 Jan 7;67:281-303. doi: 10.1146/annurev-ento-020821-060803. Epub 2021 Oct 5.
Every facet of human culture is in some way affected by our abundant, diverse insect neighbors. Our relationship with insects has been on display throughout the history of art, sometimes explicitly but frequently in inconspicuous ways. This is because artists can depict insects overtly, but they can also allude to insects conceptually or use insect products in a purely utilitarian manner. Insects themselves can serve as art media, and artists have explored or exploited insects for their products (silk, wax, honey, propolis, carmine, shellac, nest material), body parts (e.g., wings), and whole bodies (dead, alive, individually, or as collectives). This review surveys insects and their products used as media in the visual arts and considers the untapped potential for artistic exploration of media derived from insects. The history, value, and ethics of insect media art are relevant topics at a time when the natural world is at unprecedented risk.
人类文化的方方面面都在某种程度上受到我们丰富多样的昆虫邻居的影响。我们与昆虫的关系在艺术史的各个时期都有体现,有时是明确的,但通常是以不显眼的方式。这是因为艺术家可以直接描绘昆虫,但也可以在概念上暗示昆虫,或以纯粹实用的方式使用昆虫产品。昆虫本身可以作为艺术媒介,艺术家们已经探索或利用昆虫的产品(丝绸、蜡、蜂蜜、蜂胶、胭脂红、虫胶、巢材)、身体部位(如翅膀)和整个身体(死的、活的、单独的或作为集体的)。本综述调查了昆虫及其产品在视觉艺术中作为媒介的使用情况,并考虑了利用昆虫衍生媒介进行艺术探索的未开发潜力。在自然界正面临前所未有的风险之际,昆虫媒介艺术的历史、价值和伦理是相关话题。