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2
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J Cogn. 2018 Jan 12;1(1):9. doi: 10.5334/joc.10.
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The time course of auditory recognition measured with rapid sequences of short natural sounds.使用短的自然声音的快速序列测量听觉识别的时间过程。
Sci Rep. 2019 May 29;9(1):8005. doi: 10.1038/s41598-019-43126-5.
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Diversity in pitch perception revealed by task dependence.任务依赖性揭示的音高感知多样性。
Nat Hum Behav. 2018 Jan;2(1):52-66. doi: 10.1038/s41562-017-0261-8. Epub 2017 Dec 11.
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Linear mixed-effects models and the analysis of nonindependent data: A unified framework to analyze categorical and continuous independent variables that vary within-subjects and/or within-items.线性混合效应模型和非独立数据的分析:一种统一的框架,用于分析在个体内和/或个体内变化的分类和连续自变量。
Psychol Methods. 2018 Sep;23(3):389-411. doi: 10.1037/met0000159. Epub 2017 Nov 27.
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7
Voice selectivity in the temporal voice area despite matched low-level acoustic cues.尽管存在匹配的低水平声学线索,但颞区的声音选择性。
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8
What the [bleep]? Enhanced absolute pitch memory for a 1000Hz sine tone.搞什么鬼?对1000赫兹正弦音的绝对音高记忆增强。
Cognition. 2016 Sep;154:139-150. doi: 10.1016/j.cognition.2016.06.001. Epub 2016 Jun 9.
9
Pianists exhibit enhanced memory for vocal melodies but not piano melodies.钢琴家对声乐旋律的记忆增强,但对钢琴旋律的记忆并非如此。
Q J Exp Psychol (Hove). 2015;68(5):866-77. doi: 10.1080/17470218.2015.1020818. Epub 2015 Apr 2.
10
The speed-accuracy tradeoff: history, physiology, methodology, and behavior.速度-准确性权衡:历史、生理学、方法论和行为。
Front Neurosci. 2014 Jun 11;8:150. doi: 10.3389/fnins.2014.00150. eCollection 2014.

语音劣势对音高绝对和相对判断的影响。

Voice disadvantage effects in absolute and relative pitch judgments.

机构信息

Department of Psychology, University of Minnesota, Minneapolis, Minnesota 55455, USA.

出版信息

J Acoust Soc Am. 2022 Apr;151(4):2414. doi: 10.1121/10.0010123.

DOI:10.1121/10.0010123
PMID:35461511
原文链接:https://pmc.ncbi.nlm.nih.gov/articles/PMC8993423/
Abstract

Absolute pitch (AP) possessors can identify musical notes without an external reference. Most AP studies have used musical instruments and pure tones for testing, rather than the human voice. However, the voice is crucial for human communication in both speech and music, and evidence for voice-specific neural processing mechanisms and brain regions suggests that AP processing of voice may be different. Here, musicians with AP or relative pitch (RP) completed online AP or RP note-naming tasks, respectively. Four synthetic sound categories were tested: voice, viola, simplified voice, and simplified viola. Simplified sounds had the same long-term spectral information but no temporal fluctuations (such as vibrato). The AP group was less accurate in judging the note names for voice than for viola in both the original and simplified conditions. A smaller, marginally significant effect was observed in the RP group. A voice disadvantage effect was also observed in a simple pitch discrimination task, even with simplified stimuli. To reconcile these results with voice-advantage effects in other domains, it is proposed that voices are processed in a way that voice- or speech-relevant features are facilitated at the expense of features that are less relevant to voice processing, such as fine-grained pitch information.

摘要

绝对音高(AP)拥有者可以在没有外部参考的情况下识别音符。大多数 AP 研究都使用乐器和纯音进行测试,而不是人声。然而,人声对于人类在言语和音乐中的交流至关重要,并且有证据表明存在特定于声音的神经处理机制和脑区,这表明人声的 AP 处理可能不同。在这里,具有绝对音高或相对音高的音乐家分别完成了在线绝对音高或相对音高音符命名任务。测试了四个合成声音类别:人声、中提琴、简化人声和简化中提琴。简化声音具有相同的长期频谱信息,但没有时间波动(如颤音)。在原始和简化条件下,AP 组在判断人声音符名称时的准确性均低于 viola 组。在 RP 组中观察到一个较小的、边缘显著的效应。即使使用简化刺激,在简单的音高辨别任务中也观察到了人声劣势效应。为了将这些结果与其他领域的人声优势效应相协调,提出人声的处理方式是以牺牲与声音处理不太相关的特征(例如精细的音高信息)为代价,促进与声音或言语相关的特征。