Oliveira Aline Cabral de, Souza Luana Soares Honorato de, Daniel Carlos Raphael Araújo, Oliveira Priscila Feliciano de, Pereira Liliane Desgualdo
Department of Speech, Language and Hearing Sciences, Universidade Federal de São Paulo, São Paulo, SP, Brazil.
Department of Speech, Language and Hearing Sciences, Universidade Federal do Sergipe, Lagarto, SE, Brazil.
Int Arch Otorhinolaryngol. 2021 Sep 21;26(2):e272-e277. doi: 10.1055/s-0041-1726044. eCollection 2022 Apr.
Knowledge about the positive effects that music and dance bring, in its various forms, to the healthy human brain, is important not only in the context of basic neuroscience but may also strongly affect practices in neurorehabilitation. To verify the relationship between hearing and movement and, specifically, to analyze the interference of professional dance practice and formal musical training in the magnitude of the vestibule-cervical and vestibular reflexes. The sample consisted of 92 subjects, aged between 18 and 35 years old, 31 professional musicians, 31 ballet dancers, and 30 control subjects. Only subjects with normal hearing sensitivity were included. Cervical vestibular evoked myogenic potential (cVEMP) was recorded in the sternocleidomastoid muscle, and ocular vestibular evoked myogenic potential (oVEMP) was recorded in the lower oblique muscle of the eye, using tone-bursts (500Hz). Analysis of variance (ANOVA) or Kruskall-Wallis tests were performed. The cVEMP presented earlier and higher amplitude waves when recorded in the group of dancers, with a significant difference between all tested groups for latency and amplitude of the N23 wave; the comparison was restricted between dancers and control groups, with no difference between ballet dancers and musicians. The N1 wave of the oVEMP presented lower latencies in dancers than in musicians and controls ( = 0.001). No significant differences were found between the groups for the P1 wave. Greater magnitudes of vestibule-cervical reflex responses and faster vestibule-ocular reflex responses were observed in dancers. Dance practice provides greater development of the vestibular system, but musical training also contributes to the magnitude of these responses.
了解音乐和舞蹈以各种形式给健康人脑带来的积极影响,不仅在基础神经科学背景下很重要,而且可能对神经康复实践产生重大影响。 为了验证听觉与运动之间的关系,具体而言,分析专业舞蹈练习和正规音乐训练对前庭 - 颈部反射和前庭反射幅度的干扰。 样本包括92名年龄在18至35岁之间的受试者,31名专业音乐家,31名芭蕾舞演员和30名对照受试者。仅纳入听力敏感度正常的受试者。使用短纯音(500Hz)在胸锁乳突肌记录颈前庭诱发肌源性电位(cVEMP),在眼的下斜肌记录眼前庭诱发肌源性电位(oVEMP)。进行方差分析(ANOVA)或克鲁斯卡尔 - 沃利斯检验。 在舞者组中记录cVEMP时,其波出现更早且幅度更高,所有测试组之间N23波的潜伏期和幅度存在显著差异;比较仅限于舞者组和对照组之间,芭蕾舞演员和音乐家之间没有差异。oVEMP的N1波在舞者中的潜伏期比音乐家和对照组短(= 0.001)。各组之间P1波未发现显著差异。 在舞者中观察到更大幅度的前庭 - 颈部反射反应和更快的前庭 - 眼反射反应。舞蹈练习能使前庭系统得到更大发展,但音乐训练也有助于这些反应的幅度。