Sony Computer Science Laboratories, Inc. (Sony CSL), Takanawa Muse Bldg, 3-14-13, Higashigotanda, Sinagawa-ku, Tokyo, 141-0022, Japan.
NeuroPiano Institute, Kyoto, Japan.
Sci Rep. 2022 Jul 22;12(1):12503. doi: 10.1038/s41598-022-16618-0.
Fine-tuned sensory functions typically characterize skilled individuals. Although numerous studies demonstrated enhanced unimodal sensory functions at both neural and behavioral levels in skilled individuals, little is known about their multisensory interaction function, especially multisensory integration and selective attention that involve volitional control of information derived from multiple sensory organs. In the current study, expert pianists and musically untrained individuals performed five sets of intensity discrimination tasks at the auditory and somatosensory modalities with different conditions: (1) auditory stimulus, (2) somatosensory stimulus, (3) congruent auditory and somatosensory stimuli (i.e., multisensory integration), (4) auditory and task-irrelevant somatosensory stimuli, and (5) somatosensory and task-irrelevant auditory stimuli. In the fourth and fifth conditions, participants were instructed to ignore a task-irrelevant stimulus and to pay attention to a task-relevant stimulus (i.e., selective attention), respectively. While the discrimination perception was superior in the condition (3) compared to the better one of the individual unimodal conditions only in the pianists, the task-irrelevant somatosensory stimulus worsened the auditory discrimination more in the pianists than the nonmusicians. These findings indicate unique multisensory interactions in expert pianists, which enables pianists to efficiently integrate the auditory and somatosensory information, but exacerbates top-down selective inhibition of somatosensory information during auditory processing.
经过微调的感觉功能通常是熟练个体的特征。尽管许多研究表明,熟练个体在神经和行为层面上都增强了单一感觉功能,但对于他们的多感觉交互功能(特别是涉及对来自多个感觉器官的信息进行自愿控制的多感觉整合和选择性注意)却知之甚少。在当前的研究中,专业钢琴家和未经音乐训练的个体在听觉和躯体感觉模态下执行了五组强度辨别任务,具有不同的条件:(1)听觉刺激,(2)躯体感觉刺激,(3)一致的听觉和躯体感觉刺激(即多感觉整合),(4)听觉和与任务无关的躯体感觉刺激,以及(5)躯体感觉和与任务无关的听觉刺激。在第四和第五种条件下,要求参与者忽略与任务无关的刺激并专注于任务相关的刺激(即选择性注意)。虽然在钢琴家中,与个体单一感觉模态的更好条件相比,条件(3)中的辨别感知更好,但与非音乐家相比,在钢琴家中,与任务无关的躯体感觉刺激会使听觉辨别更差。这些发现表明,专业钢琴家具有独特的多感觉交互作用,使他们能够有效地整合听觉和躯体感觉信息,但在听觉处理过程中会加剧自上而下的躯体感觉信息的选择性抑制。