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钢琴经验与更高的同步稳定性:与手指和呈现方式的关系。

Higher synchronization stability with piano experience: relationship with finger and presentation modality.

机构信息

Department of Sensorimotor Neuroscience, Graduate School of Biomedical and Health Sciences, Hiroshima University, 1-2-3 Kasumi, Minami-Ku, Hiroshima, 734-8553, Japan.

Faculty of Health Sciences, Aomori University of Health and Welfare, 58-1 Mase, Hamadate, Aomori, 030-8505, Japan.

出版信息

J Physiol Anthropol. 2023 Jun 19;42(1):10. doi: 10.1186/s40101-023-00327-2.

Abstract

BACKGROUND

Synchronous finger tapping to external sensory stimuli is more stable for audiovisual combined stimuli than sole auditory or visual stimuli. In addition, piano players are superior in synchronous tapping and manipulating the ring and little fingers as compared to inexperienced individuals. However, it is currently unknown whether the ability to synchronize to external sensory stimuli with the ring finger is at the level of the index finger in piano players. The aim of this study was to compare the effect of piano experience on synchronization stability between the index and ring fingers using auditory, visual, and audiovisual combined stimuli.

METHODS

Thirteen piano players and thirteen novices participated in this study. They were instructed to tap with their index or ring finger synchronously to auditory, visual, and audiovisual combined stimuli. The stimuli were presented from an electronic metronome at 1 Hz, and the tapping was performed 30 times in each condition. We analyzed standard deviation of intervals between the stimulus onset and the tap onset as synchronization stability.

RESULTS

Synchronization stability for visual stimuli was lower during ring than index finger tapping in novices; however, this decline was absent in piano players. Also, piano players showed the higher synchronization stability for audiovisual combined stimuli than sole visual and auditory stimuli when tapping with the index finger. On the other hand, in novices, synchronization stability was higher for audiovisual combined stimuli than only visual stimuli.

CONCLUSIONS

These findings suggest that improvements of both sensorimotor processing and finger motor control by piano practice would contribute to superior synchronization stability.

摘要

背景

与单纯的听觉或视觉刺激相比,对外界感觉刺激进行同步手指敲击时,视听联合刺激更为稳定。此外,与无经验个体相比,钢琴演奏者在同步敲击和操纵无名指和小指方面更为出色。然而,目前尚不清楚钢琴演奏者用无名指同步外部感觉刺激的能力是否与食指相当。本研究旨在比较钢琴演奏经验对使用听觉、视觉和视听联合刺激时食指和无名指同步稳定性的影响。

方法

13 名钢琴演奏者和 13 名新手参加了这项研究。他们被要求用食指或无名指同步敲击听觉、视觉和视听联合刺激。刺激由电子节拍器以 1Hz 的频率呈现,每个条件下敲击 30 次。我们分析了刺激起始和敲击起始之间的间隔标准差作为同步稳定性。

结果

新手在使用无名指敲击时,视觉刺激的同步稳定性低于食指敲击;然而,这种下降在钢琴演奏者中并不存在。此外,钢琴演奏者在使用食指敲击时,对视听联合刺激的同步稳定性高于单纯的视觉和听觉刺激。另一方面,在新手组中,视听联合刺激的同步稳定性高于单纯的视觉刺激。

结论

这些发现表明,钢琴练习对感觉运动处理和手指运动控制的改善有助于提高同步稳定性。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/d198/10278338/d0706f618e35/40101_2023_327_Fig1_HTML.jpg

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