Eguchi Shinsuke, Calafell Bernadette Marie
Department of Communication & Journalism, University of New Mexico, Albuquerque, New Mexico, USA.
Department of Critical Race and Ethnic Studies, Gonzaga University, Spokane, Washington, USA.
J Homosex. 2023 Jan 2;70(1):149-167. doi: 10.1080/00918369.2022.2103873. Epub 2022 Jul 29.
This essay interrogates the representation of "hot mess" gay male castmates and their interpersonal relationships in LOGO's ' season 1. In particular, this essay identifies moments of media constructed queer failure through which the gay male castmates are framed, not to politicize, historicize, and contextualize their interpersonal relations as possibly emerging forms of queer relationalities. In so doing, this essay overall critiques how LOGO's is a material product of homonationalism that colorblinds the hetero-relational paradigm as the normative social capital. The analysis is consisting of three themes; , and . In the end, this essay discusses the broader implications of queer relationalities that 's season one has to offer.
本文审视了LOGO电视台第一季中“一团糟”的男同性恋剧组成员的形象及其人际关系。特别是,本文识别出媒体构建的酷儿失败时刻,通过这些时刻,男同性恋剧组成员被塑造出来,并非将他们的人际关系政治化、历史化并置于具体情境中,视为可能出现的酷儿关系形式。通过这样做,本文总体上批判了LOGO电视台是同性恋民族主义的物质产物,它将异性恋关系范式视为规范的社会资本而忽视了其他。分析包括三个主题; ,以及 。最后,本文讨论了第一季所呈现的酷儿关系的更广泛影响。