Anjirbag Michelle Anya, Joosen Vanessa
Department of Literature, University of Antwerp, 2000 Antwerp, Belgium;
Humanities (Basel). 2022 Feb 10;11(1):25. doi: 10.3390/h11010025. eCollection 2022 Feb.
As with other twenty-first-century rewritings of fairytales, by Kalynn Bayron complicates the classic 'Cinderella' fairytale narrative popularized by Charles Perrault and the Brothers Grimm for new audiences, queering and race-bending the tale in its decidedly feminist revision of the story. However, as we argue here, the novel also provides an interesting intervention in the construction of age as related to gender for its female protagonists. Drawing on Sylvia Henneberg's examination of ageist stereotypes in fairytale classics and Susan Pickard's construction of the figure of the hag, we explore the dialogic between the fairytale revision, traditional fairytale age ideology and the intersection of age and gender in this reinvention of the classic narrative. By focusing on constructions of age, particularly senescence, we demonstrate how complex constructions of older characters might aid in overall depictions of intergenerational relationships, and how these intergenerational relationships in turn reflect historical and cultural impetuses of retelling fairytale narratives.
与卡琳·拜伦对其他童话故事的二十一世纪改写一样,它使查尔斯·佩罗和格林兄弟推广的经典《灰姑娘》童话叙事变得复杂,面向新受众,在对故事进行明确的女权主义改写时对故事进行了同性恋化和种族化处理。然而,正如我们在此所论证的,这部小说在构建与女性主人公性别相关的年龄方面也提供了有趣的干预。借鉴西尔维亚·亨内伯格对经典童话中年龄歧视刻板印象的研究以及苏珊·皮卡德对女巫形象的构建,我们探讨了童话改写、传统童话年龄观念以及在这种经典叙事重塑中年龄与性别的交叉之间的对话。通过关注年龄的构建,尤其是衰老,我们展示了老年角色的复杂构建如何有助于对代际关系的整体描绘,以及这些代际关系又如何反过来反映重述童话叙事的历史和文化动力。