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通过策略诱导改变耳朵在旋律识别上的差异。

Shifting ear differences in melody recognition through strategy inducement.

作者信息

Peretz I, Morais J, Bertelson P

出版信息

Brain Cogn. 1987 Apr;6(2):202-15. doi: 10.1016/0278-2626(87)90121-7.

DOI:10.1016/0278-2626(87)90121-7
PMID:3593560
Abstract

In a previous study, the pattern of ear superiority displayed by nonmusicians in a task where dichotically presented target melodies have to be recognized among four probes was found to be correlated with subjects' descriptions of their operating modes: those who reported focusing on critical local differences in pitch tended to show right ear advantage (REA) and the others LEA. The purpose of the present study was to examine if laterality patterns can be affected by treatments designed to induce particular strategies. Treatments supposed to orient toward analytic processing, advising attention to critical notes, with (Experiment 2) or without (Experiment 1) the additional task of reporting their location, produced the expected shift toward REA. To the contrary, treatments supposed to orient toward holistic processing, advising attention to overall contour or requesting aesthetic judgments (Experiment 1), failed to produce the expected shift toward LEA. The result can be attributed either to a basic difference in susceptibility to strategic control between the different operating modes or, more simply, to ineffectiveness of the present holistically oriented treatments.

摘要

在之前的一项研究中,研究人员发现,在一项需要在四个探测音中识别两耳分听呈现的目标旋律的任务中,非音乐家表现出的耳优势模式与受试者对其操作模式的描述相关:那些报告专注于音高关键局部差异的人往往表现出右耳优势(REA),而其他人则表现出左耳优势(LEA)。本研究的目的是检验偏侧性模式是否会受到旨在诱导特定策略的处理的影响。旨在引导进行分析处理、建议关注关键音符的处理方式,在有(实验2)或没有(实验1)报告音符位置这一额外任务的情况下,都产生了预期的向REA的转变。相反,旨在引导进行整体处理、建议关注整体轮廓或要求进行审美判断的处理方式(实验1),未能产生预期的向LEA的转变。这一结果要么可归因于不同操作模式在对策略控制的敏感性上存在根本差异,要么更简单地说,可归因于当前以整体为导向的处理方式无效。

相似文献

1
Shifting ear differences in melody recognition through strategy inducement.通过策略诱导改变耳朵在旋律识别上的差异。
Brain Cogn. 1987 Apr;6(2):202-15. doi: 10.1016/0278-2626(87)90121-7.
2
Task determinants of ear differences in melody processing.旋律处理中耳朵差异的任务决定因素。
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The role of contour and intervals in the recognition of melody parts: evidence from cerebral asymmetries in musicians.轮廓和音程在旋律片段识别中的作用:来自音乐家大脑不对称性的证据。
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Shifting ear differences in melody comparison through transposition.
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Left hemisphere dominance for rhythmic elements in dichotically-presented melodies.在双耳分听呈现的旋律中,左半球对节奏元素的主导作用。
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Analytic processing in the classification of melodies as same or different.在将旋律分类为相同或不同时的分析处理。
Neuropsychologia. 1987;25(4):645-52. doi: 10.1016/0028-3932(87)90055-8.
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Hemisphere priming through practice in a musical chords task.通过音乐和弦任务练习进行半球启动。
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