Bellemare-Pepin Antoine, Harel Yann, O'Byrne Jordan, Mageau Geneviève, Dietrich Arne, Jerbi Karim
Department of Psychology, Université de Montréal, Montréal, H2V 2S9 Québec, Canada.
Department of Music, Concordia University, Montréal, H4B1R6 Québec, Canada.
iScience. 2022 Sep 8;25(10):105103. doi: 10.1016/j.isci.2022.105103. eCollection 2022 Oct 21.
Creativity is a highly valued and beneficial skill that empirical research typically probes using "divergent thinking" (DT) tasks such as problem solving and novel idea generation. Here, in contrast, we examine the perceptual aspect of creativity by asking whether creative individuals are more likely to perceive recognizable forms in ambiguous stimuli -a phenomenon known as pareidolia. To this end, we designed a visual task in which participants were asked to identify as many recognizable forms as possible in cloud-like fractal images. We found that pareidolic perceptions arise more often and more rapidly in highly creative individuals. Furthermore, high-creatives report pareidolia across a broader range of image contrasts and fractal dimensions than do low creatives. These results extend the established body of work on DT by introducing divergent perception as a complementary manifestation of the creative mind, thus clarifying the perception-creation link while opening new paths for studying creative behavior in humans.
创造力是一项备受重视且有益的技能,实证研究通常通过“发散性思维”(DT)任务来探究它,比如解决问题和产生新颖想法。相比之下,在这里我们通过询问有创造力的个体是否更有可能在模糊刺激中感知到可识别的形态——一种被称为空想性错视的现象,来研究创造力的感知方面。为此,我们设计了一项视觉任务,要求参与者在类似云朵的分形图像中尽可能多地识别出可识别的形态。我们发现,空想性错视在高创造力个体中出现得更频繁、更迅速。此外,与低创造力个体相比,高创造力个体在更广泛的图像对比度和分形维度上报告有空想性错视。这些结果通过引入发散性感知作为创造性思维的一种互补表现,扩展了关于DT的现有研究成果,从而阐明了感知与创造之间的联系,同时为研究人类创造性行为开辟了新途径。