Arcos-Pumarola Jordi, Paquin Alexandra Georgescu, Sitges Marta Hernández
CETT-UB Barcelona School of Tourism, Hospitality and Gastronomy, Barcelona, Spain.
Canada Research Chair in Urban Heritage ESG-UQAM, Montreal, Canada.
Heliyon. 2023 Jan 20;9(1):e13106. doi: 10.1016/j.heliyon.2023.e13106. eCollection 2023 Jan.
The creative economy has been recognized as key in urban development and planning, which the UNESCO Creative Cities Network (UCCN) consolidates. While benefiting from the label, the tourism sector also plays a fundamental role in the creative strategy. This paper explores how intangible heritage and creative industries can work as a tourism asset for creative cities and thus participate in their development. An NVivo thematic content analysis of all the tourism-related actions listed in the UCCN reports was performed to identify what types of cultural tourism products and actions are linked to the creative cities and to understand how they relate to their UNESCO creative fields to detect gaps and potentials. Tourism activity represents 17% of the total actions listed in the creative cities' reports, mostly concentrated in the Crafts & Folk Art field. The empirical results highlight tendencies that can be applied and adapted to future destinations with intangible assets on their territory and that want to work with the creative industries. Thus, this paper unveils an underexplored potential of synergies between two important economic and creative activities.
创意经济已被视为城市发展与规划的关键要素,联合国教科文组织创意城市网络(UCCN)对其进行了整合。在受益于这一标签的同时,旅游业在创意战略中也发挥着基础性作用。本文探讨了非物质遗产和创意产业如何能够作为创意城市的旅游资产发挥作用,从而参与到城市的发展之中。对UCCN报告中列出的所有与旅游相关的行动进行了NVivo主题内容分析,以确定哪些类型的文化旅游产品和行动与创意城市相关联,并了解它们如何与联合国教科文组织的创意领域相关,从而发现差距和潜力。旅游活动占创意城市报告中列出的所有行动的17%,主要集中在工艺与民间艺术领域。实证结果突出了一些趋势,这些趋势可应用于并适用于其领土上拥有无形资产且希望与创意产业合作的未来目的地。因此,本文揭示了两项重要的经济和创意活动之间尚未得到充分探索的协同潜力。