Interdisciplinary Centre of Social Sciences (CICS.NOVA), Faculty of Social Sciences and Humanities (NOVA FCSH), Universidade NOVA de Lisboa, Portugal.
Interdisciplinary Centre of Social Sciences (CICS.NOVA), Faculty of Social Sciences and Humanities (NOVA FCSH), Universidade NOVA de Lisboa, Portugal.
Soc Sci Med. 2023 Mar;321:115770. doi: 10.1016/j.socscimed.2023.115770. Epub 2023 Feb 11.
In this article we develop the new concept of emotional choreography to describe how patients bond, debond and/or rebond with their embryos created in vitro using assisted reproductive technologies (ART). Using this concept, we explore how the patients' management of their own emotions intertwines with political, scientific, and religious factors. Our analysis relies on and further advances Thompson's concepts of ethical and ontological "choreography". It is through these forms of choreography that complex contemporary biomedical issues with high political, ethical, and scientific stakes are negotiated, and through which different actors, entities, practices, roles, and norms undergo mutual constitution, reinforcement and (re)definition. Our article draws on the analysis of 69 in-depth interviews and the results of an online survey with 85 respondents.
在本文中，我们提出了一个新概念，即情感编舞，以描述使用辅助生殖技术（ART）体外培养的胚胎如何与患者建立联系、分离和/或重新建立联系。使用这个概念，我们探讨了患者如何管理自己的情绪，以及这种情绪如何与政治、科学和宗教因素交织在一起。我们的分析依赖于并进一步推进了汤普森的伦理和本体论“编舞”概念。正是通过这些形式的编舞，才对具有高度政治、伦理和科学风险的复杂当代生物医学问题进行协商，并且通过这些编舞，不同的参与者、实体、实践、角色和规范相互构成、加强和（重新）定义。我们的文章分析了 69 次深入访谈和 85 名受访者的在线调查结果。
