Keçelioğlu Şule, Narin Aral Selnur
Dep. of Physiotherapy and Rehabilitation, Faculty of Health Sciences, Bandırma Onyedi Eylül University, TR-10200 Bandırma-Balıkesir, Turkey. Tel +90266 7170117.
Med Probl Perform Art. 2023 Mar;38(1):23-30. doi: 10.21091/mppa.2023.1004.
Dexterity is one of the abilities required for different types of work and is divided into manual and finger dexterity. The aim of this study was to examine whether there was a difference in manual and finger dexterity between musicians and nonmusicians, and between musicians divided by instrument groups and nonmusicians.
The study included 128 participants (96 musicians, 32 nonmusicians). Musicians were divided into three groups as wind, string, and keyboard instrument players. The Minnesota Manual Dexterity Test (MMDT) for manual dexterity and Purdue Pegboard Test (PPT) for finger dexterity were used. Independent samples t-test and Mann-Whitney U test were used for MMDT, and the Mann-Whitney U test was used for PPT between musicians and nonmusicians. The Kruskal-Wallis H test and one-way ANOVA were used for comparisons of the MMDT and PPT between nonmusicians and musicians divided by instrument groups.
There were no differences between musicians and nonmusicians in terms of MMDT and PPT (p>0.05). When musicians were divided by instrument groups, there was a statistically significant difference in only the left-hand subtest of PPT (p=0.038). In pairwise comparisons, significant differences were found between wind and string instrument players (p=0.036), keyboard and string players (p=0.012), and nonmusicians and string players (p=0.015). Wind and keyboard players and nonmusicians were more successful than string players in terms of left-hand finger dexterity.
Future studies can be designed that investigate the effects of bilateral asymmetrical-symmetrical training on finger dexterity of the left hand and evaluate the performances of musicians in areas other than music.
灵活性是不同类型工作所需的能力之一,分为手部灵活性和手指灵活性。本研究的目的是检验音乐家与非音乐家之间,以及按乐器组划分的音乐家与非音乐家之间在手部和手指灵活性上是否存在差异。
该研究纳入了128名参与者(96名音乐家,32名非音乐家)。音乐家被分为三组,即管乐器演奏者、弦乐器演奏者和键盘乐器演奏者。使用明尼苏达手部灵活性测试(MMDT)评估手部灵活性,使用普渡钉板测试(PPT)评估手指灵活性。音乐家与非音乐家之间的MMDT采用独立样本t检验和曼-惠特尼U检验,PPT采用曼-惠特尼U检验。非音乐家与按乐器组划分的音乐家之间的MMDT和PPT比较采用克鲁斯卡尔-沃利斯H检验和单因素方差分析。
在MMDT和PPT方面,音乐家与非音乐家之间没有差异(p>0.05)。当按乐器组划分音乐家时,仅在PPT的左手子测试中有统计学显著差异(p=0.038)。在两两比较中,管乐器与弦乐器演奏者之间(p=0.036)、键盘乐器与弦乐器演奏者之间(p=0.012)以及非音乐家与弦乐器演奏者之间(p=0.015)存在显著差异。在左手手指灵活性方面,管乐器和键盘乐器演奏者及非音乐家比弦乐器演奏者更出色。
未来的研究可以设计为调查双侧不对称-对称训练对左手手指灵活性的影响,并评估音乐家在音乐以外领域的表现。