University Hospital of Psychiatry and Psychotherapy, University of Bern, Bern, Switzerland.
Zeppelin University, Friedrichshafen, Germany.
Sci Rep. 2023 Oct 5;13(1):14843. doi: 10.1038/s41598-023-41960-2.
A study of 132 audience members of three classical public concerts (all three staged the same chamber music pieces by Ludwig van Beethoven, Brett Dean, and Johannes Brahms) had the goal of analyzing the physiological and motor responses of audiences. It was assumed that the music would induce synchronous physiology and movement in listeners (induction synchrony). In addition to hypothesizing that such synchronies would be present, we expected that they were linked to participants' aesthetic experiences, their affect and personality traits, which were assessed by questionnaires before and after the concerts. Clear evidence was found of physiological synchrony (heart rate, respiration rate, skin conductance response) as well as movement synchrony of the audiences, whereas breathing behavior was not synchronized. Thus the audiences of the three concerts resonated with the music, their music perception was embodied. There were links between the bodily synchrony and aesthetic experiences: synchrony, especially heart-rate synchrony, was higher when listeners felt moved emotionally and inspired by a piece, and were immersed in the music. Personality traits were also associated with the individual contributions to induction synchrony.
对三个经典公共音乐会（均演奏路德维希·凡·贝多芬、布雷特·迪恩和约翰内斯·勃拉姆斯的相同室内乐作品）的 132 名观众进行了一项研究，旨在分析观众的生理和运动反应。研究假设音乐将在听众中引起同步的生理和运动（诱导同步）。除了假设存在这种同步之外，我们还期望它们与参与者的审美体验、情感和个性特征有关，这些特征在音乐会前后通过问卷进行评估。研究发现了明确的生理同步（心率、呼吸率、皮肤电反应）以及观众的运动同步，而呼吸行为没有同步。因此，三个音乐会的观众与音乐产生共鸣，他们的音乐感知是具体的。身体同步与审美体验之间存在联系：当听众感到情感上被打动并被一首曲子所鼓舞，沉浸在音乐中时，同步性特别是心率同步性更高。个性特征也与诱导同步的个体贡献有关。
