Artist and Independent Scholar.
J Lesbian Stud. 2024;28(2):321-342. doi: 10.1080/10894160.2024.2313381. Epub 2024 Feb 14.
This article offers a critical reflection on my creative engagement with the figure of the Amazon in the quilted artworks for my exhibition which took place at HOME, Manchester in 2021. This exhibition was created in response to archival research at the only accredited museum in the UK dedicated to women, Glasgow Women's Library (GWL), which holds the remnants of the now disbanded Lesbian Archive and Information Centre (LAIC) (1984-1995). I engage specifically with two representations of Amazons, from two very disparate and politically opposed lesbian publications: firstly the illustrated cover of the LAIC newsletter, and a photographic series by the artist Tessa Boffin (1960-1993). Through auto-ethnography I articulate some of the pleasures and complexities in encountering, and re-visioning the Amazons that ride within the remaining fragments of the LAIC collection. I propose the quilt as a reparative strategy for engaging with the Amazon, one that refuses to disassemble and disassociate from the difficulties of lesbian history, re-assembling the pieces through a contemporary lesbian lens.
本文对我在 2021 年于曼彻斯特 HOME 举办的展览中使用拼贴艺术作品创作的亚马逊形象进行了批判性反思。该展览是对英国唯一一家专门为女性设立的经过认证的博物馆——格拉斯哥妇女图书馆(GWL)的档案研究的回应,该图书馆收藏了现已解散的女同性恋档案馆和信息中心(LAIC)(1984-1995)的残余物。我特别关注了来自两个截然不同且政治立场对立的女同性恋出版物的两个亚马逊形象:首先是 LAIC 通讯的插图封面,其次是艺术家泰莎·博芬(Tessa Boffin)的摄影系列(1960-1993)。通过自我民族志,我阐明了在遇到和重新构想 LAIC 藏品中剩余部分的亚马逊形象时所带来的一些愉悦和复杂性。我提出拼贴作为一种与亚马逊接触的修复策略,它拒绝拆解和分离女同性恋历史的困难,通过当代女同性恋视角重新组装这些碎片。