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马拉雅拉姆电影中男性同性恋的政治与美学:解读电影《(2016)》

The Politics and Aesthetics of Male Homosexuality in Malayalam Cinema: Contextualizing the Film (2016).

作者信息

Sooraj S S, Krishna K R Kavya

机构信息

Department of Humanistic Studies, Indian Institute of Technology (BHU), Varanasi, India.

出版信息

J Homosex. 2025 Jan 28;72(2):362-385. doi: 10.1080/00918369.2024.2321232. Epub 2024 Apr 2.

Abstract

Focusing on the Malayalam film (2016), this article attempts to historically trace and critically engage with the representations of gay sexuality in Malayalam cinema from the South Indian state of Kerala. It interrogates how brought to the forefront hitherto unexplored visual dynamics of the gay male body and homoeroticism on screen while troubling the heterosexual dynamics of the Malayalam film industry. By situating this film within the history of representation of male homosexuality in Malayalam cinema and the changing regimes of queer politics and feminist interventions in Kerala in the last decade, the article argues how the film's radical visual representation of gay sexuality at the intersection of caste and religion problematizes the heterosexual family/state, thereby challenging the patriarchal masculinity that marginalizes women and sexual minorities in Kerala.

摘要

聚焦于马拉雅拉姆语电影《[电影名]》(2016年),本文试图从历史角度追溯并批判性地探讨印度南部喀拉拉邦的马拉雅拉姆语电影中对男同性恋性行为的呈现。它审视了这部电影如何将男同性恋身体和银幕上的同性恋色情内容前所未有的视觉动态带到前沿,同时扰乱了马拉雅拉姆语电影业的异性恋动态。通过将这部电影置于马拉雅拉姆语电影中男性同性恋呈现的历史以及喀拉拉邦过去十年中不断变化的酷儿政治和女权主义干预体制之内,本文认为这部电影在种姓和宗教交叉点上对男同性恋性行为的激进视觉呈现如何使异性恋家庭/国家成问题,从而挑战了在喀拉拉邦边缘化女性和性少数群体的父权制男性气质。

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