Zhao Yuguang, Stumpel Jeroen, de Ridder Huib, Wijntjes Maarten W A
Perceptual Intelligence lab, Faculty of Industrial Design Engineering, Delft University of Technology, The Netherlands.
Department of History and Art History, Utrecht University, The Netherlands.
Iperception. 2024 Aug 3;15(4):20416695241261140. doi: 10.1177/20416695241261140. eCollection 2024 Jul-Aug.
We investigated the influence of the medium on the perception of depicted objects and materials. Oil paintings and their reproductions in engravings were chosen because they are vastly distinctive media while having completely identical content. A total of 15 pairs were collected, consisting of 88 fragments depicting different materials, including fabric, skin, wood and metal. Besides the original condition, we created three manipulations to understand the effect of colour (a greyscale version) and contrast (equalised histograms towards both painting and engraving). We performed rating experiments on five attributes: three-dimensionality, glossiness, convincingness, smoothness and softness. An average of 25 participants finished each of the 20 online experimental sessions (five attributes X four conditions). Besides clear correlations between the two media, the differences mainly show in their means (different levels of perceived attributes) and standard deviations (perceived range). In most sessions, paintings depict a wider range than engravings. In addition, it was the histogram equalisation (global contrast) that made the most impact on perceived attributes, rather than colour removal. This suggests that engravers compensated for the lack of colour by exploiting the possibilities of local contrast.
我们研究了媒介对所描绘物体和材料感知的影响。之所以选择油画及其雕刻复制品,是因为它们是截然不同的媒介,却有着完全相同的内容。总共收集了15对作品,由88个描绘不同材料的片段组成,包括织物、皮肤、木材和金属。除了原始状态外,我们还进行了三种处理,以了解颜色(灰度版本)和对比度(对绘画和雕刻都进行直方图均衡化)的效果。我们对五个属性进行了评分实验:立体感、光泽度、可信度、光滑度和柔软度。平均有25名参与者完成了20个在线实验环节中的每一个(五个属性×四种条件)。除了两种媒介之间存在明显的相关性外,差异主要体现在它们的均值(感知属性的不同水平)和标准差(感知范围)上。在大多数环节中,绘画所描绘的范围比雕刻更广。此外,对感知属性影响最大的是直方图均衡化(全局对比度),而不是去除颜色。这表明雕刻师通过利用局部对比度的可能性来弥补颜色的缺失。