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从艺术角度理解光泽感知:结合17世纪绘画葡萄的感知、图像分析和绘画方法。

Understanding gloss perception through the lens of art: Combining perception, image analysis, and painting recipes of 17th century painted grapes.

作者信息

Di Cicco Francesca, Wijntjes Maarten W A, Pont Sylvia C

机构信息

Perceptual Intelligence Lab, Faculty of Industrial Design Engineering, Delft University of Technology, Delft, the Netherlands.

出版信息

J Vis. 2019 Mar 1;19(3):7. doi: 10.1167/19.3.7.

Abstract

To understand the key image features that we use to infer the glossiness of materials, we analyzed the pictorial shortcuts used by 17th century painters to imitate the optical phenomenon of specular reflections when depicting grapes. Gloss perception of painted grapes was determined via a rating experiment. We computed the contrast, blurriness, and coverage of the grapes' highlights in the paintings' images, inspired by Marlow and Anderson (2013). The highlights were manually segmented from the images, and next the features contrast, coverage, and blurriness were semiautomatically quantified using self-defined algorithms. Multiple linear regressions of contrast and blurriness resulted in a predictive model that could explain 69% of the variance in gloss perception. No effect was found for coverage. These findings are in agreement with the instructions to render glossiness of grapes contained in a 17th century painting manual (Beurs, 1692/in press), suggesting that painting practice embeds knowledge about key image features that trigger specific material percepts.

摘要

为了理解我们用于推断材料光泽度的关键图像特征,我们分析了17世纪画家在描绘葡萄时用来模仿镜面反射光学现象的绘画捷径。通过一项评分实验确定了对绘制葡萄的光泽感知。受马洛和安德森(2013年)的启发,我们计算了绘画图像中葡萄高光的对比度、模糊度和覆盖率。高光从图像中手动分割出来,然后使用自定义算法半自动量化对比度、覆盖率和模糊度等特征。对比度和模糊度的多元线性回归产生了一个预测模型,该模型可以解释光泽感知中69%的方差。未发现覆盖率有影响。这些发现与17世纪一本绘画手册(博尔斯,1692年/即将出版)中关于呈现葡萄光泽度的说明一致,表明绘画实践中蕴含着关于触发特定材料感知的关键图像特征的知识。

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