Jaroenkajornkij Nisara, Girish Meghna, Binson Bussakorn, Lev-Wiesel Rachel
MA Expressive Arts Therapy Programme, Chulalongkorn University, Bangkok 10330, Thailand.
The FAA-Emili Sagol Creative Arts Research and Innovation for Well-Being Center, Chulalongkorn University, Bangkok 10330, Thailand.
Children (Basel). 2024 Sep 8;11(9):1101. doi: 10.3390/children11091101.
BACKGROUND/OBJECTIVES: The current study compared Self-Figure drawings from Thai and Indian adolescents to assess the cross-cultural applicability of a child abuse assessment tool. The research aims to understand the extent to which distinctions or similarities arise in Self-Figure drawings among adolescents from two culturally similar yet distinct backgrounds characterized by differences in religious affiliations, socioeconomic contexts, and political environments.
Employing a mixed-methods approach, the study utilized quantitative measures, including the Traumatic Events Checklist (TEQ-5) and Medical Somatic Dissociation Questionnaire (MSDQ), alongside a qualitative analysis of Self-Figure drawings. Ethical approval was obtained with waived informed consent, and a convenience sample of 386 adolescents aged 13-18 years (193 from Thailand [M = 14.8, SD = 1.73; 135 females (69.9%) and 58 males (30.1%)], and 193 from India [M = 15.2, SD = 1.64; 135 females (69.9%) and 58 males (30.1%)]), who reported experiencing child abuse, participated in the study by completing questionnaires and drawing themselves.
The analysis revealed that Thai adolescents had higher MSDQ scores, while Indian adolescents exhibited more prominent pictorial indicators. Indian participants reported experiencing a broader range of event types, whereas Thai adolescents predominantly depicted verbal or emotional abuse. Variations in pictorial indicators were found significant, except for hair, cheek or chin, omitted legs or feet, and omitted eyes.
These findings contribute to the understanding of how cultural factors influence adolescents' self-representations through drawing. The differences in pictorial indicators highlight the nuanced variations within similar cultures, emphasizing the cultural specificity of self-expression.
背景/目的:本研究比较了泰国和印度青少年的自我形象画,以评估一种儿童虐待评估工具的跨文化适用性。该研究旨在了解来自两个文化相似但又有差异的背景(其特点是宗教信仰、社会经济背景和政治环境不同)的青少年在自我形象画中出现差异或相似之处的程度。
本研究采用混合方法,运用了定量测量方法,包括创伤事件清单(TEQ - 5)和医学躯体解离问卷(MSDQ),同时对自我形象画进行定性分析。在获得伦理批准且豁免知情同意的情况下,选取了386名13 - 18岁的青少年作为便利样本(193名来自泰国[M = 14.8,标准差 = 1.73;135名女性(69.9%)和58名男性(30.1%)],193名来自印度[M = 15.2,标准差 = 1.64;135名女性(69.9%)和58名男性(30.1%)]),这些青少年报告曾遭受儿童虐待,他们通过填写问卷和画自己的方式参与了研究。
分析显示,泰国青少年的MSDQ得分较高,而印度青少年表现出更突出的图画指标。印度参与者报告经历的事件类型范围更广,而泰国青少年主要描绘言语或情感虐待。除了头发、脸颊或下巴、省略的腿部或脚部以及省略的眼睛外,图画指标的差异具有显著性。
这些发现有助于理解文化因素如何通过绘画影响青少年的自我表现。图画指标的差异突出了相似文化中的细微差别,强调了自我表达的文化特异性。