Patro Chhayakanta, Singer Aviya, Monfiletto Angela, Peitsch Katherine, Bologna William J
Department of Speech Language Pathology & Audiology, Towson University, Towson, Maryland, USA.
VA Boston Healthcare System, Audiology 523/126, Boston, Massachusetts, USA.
Ear Hear. 2025;46(3):607-623. doi: 10.1097/AUD.0000000000001609. Epub 2024 Nov 18.
Musicians face an increased risk of hearing loss due to prolonged and repetitive exposure to high-noise levels. Detecting early signs of hearing loss, which are subtle and often elusive to traditional clinical tests like pure-tone audiometry, is essential. The objective of this study was to investigate the impact of noise exposure on the electrophysiological and perceptual aspects of subclinical hearing damage in young musicians with normal audiometric thresholds.
The study included 33 musicians and 33 nonmusicians, all aged between 21 and 35 years, with normal audiometric thresholds. Participants underwent a comprehensive test battery, which encompassed standard and extended high-frequency (EHF) pure-tone audiometry (0.25 to 16 kHz), a Noise Exposure Structured Interview, auditory brainstem responses (ABRs) to clicks at various presentation rates and levels, thresholds for detecting interaural envelope time difference, and a spatial release from masking (SRM) paradigm in which the target speech was presented in the presence of either colocated or spatially separated time-reversed two-talker babble.
The results indicated the musician group reported greater lifetime noise exposure than the nonmusician group, but the Noise Exposure Structured Interview scores were neither correlated with the ABR results nor with the speech perception outcomes. The ABR analyses indicated diminished level-dependent growth and increased rate-dependent decline in wave I amplitudes among musicians compared with nonmusicians. The student musicians exhibited better binaural envelope processing skills than nonmusicians, emphasizing their perceptual advantages in auditory processing associated with musicianship. Speech perception results indicated no significant differences in SRM between student musicians and nonmusicians. However, in both groups, individuals with poorer EHF hearing exhibited reduced SRM compared with those with normal EHF hearing, underscoring the importance of assessing and addressing EHF hearing.
Student musicians exhibit peripheral neural deficits; however, no clear relation was found between these neural deficits and their perceptual skills. Notably, reduced EHF thresholds were clearly related to reduced SRM, which poses a challenge for speech perception in complex multi-talker environments, affecting both musicians and nonmusicians alike.
由于长期反复暴露于高噪声水平,音乐家面临听力损失风险增加。检测听力损失的早期迹象至关重要,这些迹象很细微,传统临床测试(如纯音听力测定)往往难以察觉。本研究的目的是调查噪声暴露对听力阈值正常的年轻音乐家亚临床听力损伤的电生理和感知方面的影响。
该研究纳入了33名音乐家和33名非音乐家,年龄均在21至35岁之间,听力阈值正常。参与者接受了一系列综合测试,包括标准和扩展高频(EHF)纯音听力测定(0.25至16kHz)、噪声暴露结构化访谈、不同呈现速率和强度下对点击声的听觉脑干反应(ABR)、检测双耳包络时间差的阈值,以及在存在共置或空间分离的时间反转双说话者嘈杂声的情况下呈现目标语音的空间掩蔽释放(SRM)范式。
结果表明,音乐家组报告的终生噪声暴露比非音乐家组更多,但噪声暴露结构化访谈得分与ABR结果及言语感知结果均无相关性。ABR分析表明,与非音乐家相比,音乐家的I波振幅水平依赖性增长减弱,速率依赖性下降增加。学生音乐家表现出比非音乐家更好的双耳包络处理技能,强调了他们在与音乐才能相关的听觉处理方面的感知优势。言语感知结果表明,学生音乐家和非音乐家在SRM方面无显著差异。然而,在两组中,与EHF听力正常者相比,EHF听力较差者的SRM降低,强调了评估和解决EHF听力问题的重要性。
学生音乐家存在外周神经缺陷;然而,未发现这些神经缺陷与其感知技能之间存在明确关系。值得注意的是,EHF阈值降低与SRM降低明显相关,这对复杂多说话者环境中的言语感知构成挑战,对音乐家和非音乐家均有影响。