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爱情的美好影像:一项关于婚礼媒介化记忆的质性民族志研究

Promising images of love: a qualitative-ethnographic study about the mediatised memories of weddings.

作者信息

Mäder Marie-Therese

机构信息

Dipartimento di studi umanistici, Universita degli Studi di Macerata, Macerata, Marche, 62100, Italy.

出版信息

Open Res Eur. 2024 Dec 5;3:198. doi: 10.12688/openreseurope.16521.2. eCollection 2023.

Abstract

BACKGROUND

Digital and electronic media play a central role in weddings, capturing everything from the preparation to the ceremony itself and beyond. These media make specific moments of the wedding day memorable. But how do couples manage their wedding photos and videos, and what role do these media play in evoking memories of the event's religious and secular dimensions? These questions are explored within the theoretical framework of mediatisation and memory processes. This paper argues that the mediatization of weddings evokes emotions that strengthen the impact of these memories. Media shape how these events are recalled, leading to a partial homogenization of memories, where cultural and religious differences, as well as sexual orientation, become less prominent.

METHODS

This interdisciplinary qualitative-ethnographic research is based on twenty-seven semi-structured video recorded interviews conducted in Italy, Germany, and Switzerland with homo- and heterosexual married couples from different cultural-religious backgrounds. The couples shared their wedding album or video and developed their wedding narrative by looking at the photographs and videos.

RESULTS

Taking photos during the wedding becomes an important part of the ritual, independent of any cultural or religious background, gender and sexual orientation. The ceremony itself is emphasized in the photos and the videos. This homogenisation of the rite of passage equally occurs in the photographic representations of weddings and in turn influences how the wedding is remembered. The findings further confirm that heterosexual marriage representations reinforce gender stereotypes. The brides/wives of heterosexual couples are significantly more invested in the production and reception of wedding media, whereas homosexual couples participated in the conversation rather equally.

CONCLUSIONS

The homogenization of representation and memory becomes part of the rite of passage's cultural-collective memory that connects the individual couples. The mediatisation of weddings strengthens the feeling of belonging to a community that transcends cultural-religious identities.

摘要

背景

数字和电子媒体在婚礼中扮演着核心角色,记录从筹备到仪式本身以及之后的一切。这些媒体让婚礼当天的特定时刻令人难忘。但夫妻如何管理他们的婚礼照片和视频,以及这些媒体在唤起对婚礼宗教和世俗层面记忆方面发挥着什么作用?本文在媒介化和记忆过程的理论框架内探讨这些问题。本文认为,婚礼的媒介化唤起的情感强化了这些记忆的影响。媒体塑造了人们回忆这些事件的方式,导致记忆出现部分同质化,文化和宗教差异以及性取向变得不那么突出。

方法

这项跨学科的定性民族志研究基于在意大利、德国和瑞士对来自不同文化宗教背景的同性和异性已婚夫妇进行的27次半结构化视频访谈。这些夫妇分享了他们的婚礼相册或视频,并通过查看照片和视频讲述他们的婚礼故事。

结果

婚礼期间拍照成为仪式的重要组成部分,与任何文化或宗教背景、性别和性取向无关。照片和视频中都强调了仪式本身。这种过渡仪式的同质化同样出现在婚礼的摄影表现中,进而影响人们对婚礼的记忆方式。研究结果进一步证实,异性婚姻的表现强化了性别刻板印象。异性恋夫妇中的新娘/妻子在婚礼媒体的制作和接受方面投入明显更多,而同性恋夫妇参与对话的程度则较为均等。

结论

表现和记忆的同质化成为连接个体夫妇的过渡仪式文化集体记忆的一部分。婚礼的媒介化强化了归属感,这种归属感超越了文化宗教身份。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/58c0/11864816/12a919b3d391/openreseurope-3-20503-g0000.jpg

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