Ford Jesse R, Wallace Jason K, Allen Johnnie L
Department of Teacher Education and Higher Education, University of North Carolina Greensboro, Greensboro, North Carolina, USA.
Department of Counseling, Higher Education Leadership, Educational Psychology, and Foundations, Mississippi State University, Starkville, Mississippi, USA.
New Dir Stud Leadersh. 2025 Mar;2025(185):89-95. doi: 10.1002/yd.20663. Epub 2025 Feb 27.
Hip-hop music and culture have existed for decades in the United States. Since the 1970s, five critical elements have been defined as parts of hip-hop culture: the MC (oral), the DJ (aural), graffiti (visual), knowledge (mental), and breakdancing (physical). The existing literature connects each of these forms of hip-hop to the experiences of Black students, frequently examining its role in identity formation, resistance, and educational engagement, thereby demonstrating how it functions as a cultural and intellectual venue for self-expression, empowerment, and leadership development. This study presents three perspectives from leadership educators aiming to foster connection and understanding of the relationship and possibilities of using hip-hop in leadership educational settings.
嘻哈音乐和文化在美国已经存在了几十年。自20世纪70年代以来,嘻哈文化的五个关键要素被定义为:MC(口头表达)、DJ(听觉)、涂鸦(视觉)、知识(思想)和霹雳舞(身体)。现有文献将这些嘻哈形式与黑人学生的经历联系起来,经常研究其在身份形成、抵抗和教育参与中的作用,从而展示了它如何作为一种文化和智力场所来进行自我表达、增强权能和领导力发展。本研究提出了三位领导力教育者的观点,旨在促进对嘻哈在领导力教育环境中的关系和可能性的联系与理解。