Tabak Eline D
Faculty of Humanities, University of Oulu, Oulu, Finland.
Camb Prism Extinct. 2024 Apr 1;2:e4. doi: 10.1017/ext.2024.7. eCollection 2024.
Among the stories on individual examples of charismatic fauna, there are also extinction stories that evoke databases and their aesthetics in how they list endangered species. At the same time, these different stories grapple with a legacy of taxonomy that, while necessary in conservation, also carries a history of exclusion. This paper turns to the poetry of Claire Wahmanholm and Juliana Spahr to consider some of the ways extinction stories can be told outside of the relatively narrow scope of charismatic species. To begin, I reflect on extinction storytelling and the classificatory impulse in some of these stories, including poetry. Then, I consider scientific practices of naming before I turn back to Wahmanholm and Spahr and explore practices of naming and classification in their poetry. Following that, I dwell on the influence of scientific classification on the ways people including poets can engage with extinction. The poems in this paper are not merely an object for analysis; they should be considered an invitation to come to terms with and move beyond complicated histories and practices of naming and classification in storytelling.
在关于具有超凡魅力的动物个体案例的故事中,也有一些灭绝故事,这些故事在列出濒危物种的方式上唤起了数据库及其美学。与此同时,这些不同的故事与分类学的遗产作斗争,分类学在保护中虽必不可少,但也有着排斥的历史。本文转向克莱尔·瓦曼霍尔姆(Claire Wahmanholm)和朱莉安娜·斯帕尔(Juliana Spahr)的诗歌,以探讨在相对狭窄的超凡魅力物种范围之外讲述灭绝故事的一些方式。首先,我思考灭绝故事的讲述以及其中一些故事(包括诗歌)中的分类冲动。然后,在回到瓦曼霍尔姆和斯帕尔之前,我会考虑命名的科学实践,并探索他们诗歌中的命名和分类实践。在此之后,我将详述科学分类对包括诗人在内的人们与灭绝相关的参与方式的影响。本文中的诗歌不仅仅是分析的对象;它们应该被视为一种邀请,促使人们去面对并超越故事讲述中命名和分类的复杂历史与实践。