Specker Eva
University of Vienna.
Creat Res J. 2023 Nov 7;37(2):293-300. doi: 10.1080/10400419.2023.2269339. eCollection 2025.
In this invited paper, my aim is to introduce the reader to my body of work by outlining where I think empirical aesthetics, and specifically the study of art, is moving or should be moving toward. I will introduce two main foci of my work: 1) studying art/aesthetics outside of the laboratory and in their "natural habitat," i.e. doing ecologically valid studies (most commonly in the museum), and 2) methodological aspects of studying art/aesthetic experience in a broad sense: including theory, measurement, and analysis. As future directions, I see a shift toward investigating potential outcomes, as well as ensuring a stronger connection between theory and methodology by incorporating interdisciplinary approaches as well as using more advanced statistical modeling. My aim is to show not just what I have done in the past, but also how this shaped the work that I am currently doing as well as the direction that I see my work developing in and that I believe should be pursued, not just by me but by many others. I chose this format in order to be able to show how I think my work contributes to these developments and can, hopefully, also keep contributing in the future.
在这篇特邀论文中,我的目的是通过概述我认为实证美学,特别是艺术研究正在或应该朝着的方向,向读者介绍我的一系列研究工作。我将介绍我的两个主要研究重点:1)在实验室之外、在其“自然环境”中研究艺术/美学,即进行生态效度研究(最常见的是在博物馆中),以及2)从广义上研究艺术/审美体验的方法论方面:包括理论、测量和分析。作为未来的方向,我认为研究将朝着调查潜在结果转变,同时通过纳入跨学科方法以及使用更先进的统计模型,确保理论与方法论之间建立更紧密的联系。我的目的不仅是展示我过去所做的工作,还包括这些工作如何塑造了我目前正在进行的工作,以及我认为我的工作正在发展并应该被追求的方向,不仅是我,还有许多其他人。我选择这种形式是为了能够展示我认为我的工作如何为这些发展做出贡献,并且希望在未来也能继续做出贡献。