Reitstätter Luise, Brinkmann Hanna, Santini Thiago, Specker Eva, Dare Zoya, Bakondi Flora, Miscená Anna, Kasneci Enkelejda, Leder Helmut, Rosenberg Raphael
Department of Computer Science, University of Tübingen, Germany.
J Eye Mov Res. 2020 Jun 19;13(2). doi: 10.16910/jemr.13.2.6.
There is increasing awareness that the perception of art is affected by the way it is presented. In 2018, the Austrian Gallery Belvedere redisplayed its permanent collection. Our multidisciplinary team seized this opportunity to investigate the viewing behavior of specific artworks both before and after the museum's rearrangement. In contrast to previous mobile eye tracking (MET) studies in museums, this study benefits from the comparison of two realistic display conditions (without any research interference), an unconstrained study design (working with regular museum visitors), and a large data sample (comprising 259 participants). We employed a mixed-method approach that combined mobile eye tracking, subjective mapping (a drawing task in conjunction with an open interview), and a questionnaire in order to relate gaze patterns to processes of meaning-making. Our results show that the new display made a difference in that it 1) generally increased the viewing times of the artworks; 2) clearly extended the reading times of labels; and 3) deepened visitors' engagement with the artworks in their exhibition reflections. In contrast, interest in specific artworks and art form preferences proved to be robust and independent of presentation modes.
人们越来越意识到,艺术的呈现方式会影响对它的感知。2018年,奥地利美景宫美术馆重新布置了其永久藏品。我们的多学科团队抓住这个机会,对博物馆重新布置前后特定艺术品的观赏行为进行了调查。与以往在博物馆进行的移动眼动追踪(MET)研究不同,本研究受益于两种真实展示条件(无任何研究干扰)的比较、无约束的研究设计(与普通博物馆参观者合作)以及大数据样本(包括259名参与者)。我们采用了一种混合方法,将移动眼动追踪、主观映射(结合开放式访谈进行的绘图任务)和问卷调查相结合,以便将注视模式与意义构建过程联系起来。我们的结果表明,新的布置产生了影响,即:1)总体上增加了艺术品的观赏时间;2)明显延长了标签的阅读时间;3)在参观者的展览反思中加深了他们与艺术品的互动。相比之下,对特定艺术品的兴趣和艺术形式偏好被证明是稳固的,且与呈现方式无关。