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The effect of fundamental frequency on the discriminability between pure and tempered fifths and major thirds.

作者信息

Vos J, van Vianen B G

出版信息

Percept Psychophys. 1985 Jun;37(6):507-14. doi: 10.3758/bf03204914.

DOI:10.3758/bf03204914
PMID:4059006
Abstract
摘要

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引用本文的文献

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Sensory cortical response to uncertainty and low salience during recognition of affective cues in musical intervals.在识别音乐音程中的情感线索时，感觉皮层对不确定性和低显著性的反应。
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本文引用的文献

1
The perception of pure and mistuned musical fifths and major thirds: thresholds for discrimination, beats, and identification.
Percept Psychophys. 1982 Oct;32(4):297-313. doi: 10.3758/bf03206236.
2
Description of regular twelve-tone musical tunings.常规十二平均律调音的描述。
J Acoust Soc Am. 1983 Mar;73(3):1023-35. doi: 10.1121/1.389150.
3
Spectral effects in the perception of pure and tempered intervals: discrimination and beats.
Percept Psychophys. 1984 Feb;35(2):173-85. doi: 10.3758/bf03203897.
4
Tonal consonance and critical bandwidth.声调和谐与临界带宽。
J Acoust Soc Am. 1965 Oct;38(4):548-60. doi: 10.1121/1.1909741.
5
Interference between two simple tones.两个单音之间的干扰。
J Acoust Soc Am. 1968 Apr;43(4):883-4. doi: 10.1121/1.1910916.
6
Transformed up-down methods in psychoacoustics.心理声学中的变换式上下方法。
J Acoust Soc Am. 1971 Feb;49(2):Suppl 2:467+.
7
Thresholds for discrimination between pure and tempered intervals: the relevance of nearly coinciding harmonics.区分纯音程和平均律音程的阈值：近乎重合谐波的相关性。
J Acoust Soc Am. 1985 Jan;77(1):176-87. doi: 10.1121/1.392255.