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The perception of pure and mistuned musical fifths and major thirds: thresholds for discrimination, beats, and identification.

作者信息

Vos J

出版信息

Percept Psychophys. 1982 Oct;32(4):297-313. doi: 10.3758/bf03206236.

DOI:10.3758/bf03206236
PMID:7155776
Abstract
摘要

相似文献

1
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引用本文的文献

1
Mistuning perception in music is asymmetric and relies on both beats and inharmonicity.音乐中的失谐感知是不对称的，并且依赖于节拍与非谐性。
Commun Psychol. 2024 Oct 2;2(1):91. doi: 10.1038/s44271-024-00141-1.
2
Harmonic Frequency Lowering: Effects on the Perception of Music Detail and Sound Quality.谐波频率降低：对音乐细节感知和音质的影响。
Trends Hear. 2016 Feb 1;20:2331216515626131. doi: 10.1177/2331216515626131.
3
Tuning of diatonic scales by violinists, pianists, and nonmusicians.小提琴家、钢琴家和非音乐家对自然音阶的调音。

本文引用的文献

1
Tonal consonance and critical bandwidth.声调和谐与临界带宽。
J Acoust Soc Am. 1965 Oct;38(4):548-60. doi: 10.1121/1.1909741.
2
Consonance theory part II: consonance of complex tones and its calculation method.谐音理论第二部分：复合音的谐音及其计算方法。
J Acoust Soc Am. 1969 Jun;45(6):1460-9. doi: 10.1121/1.1911624.
3
Transformed up-down methods in psychoacoustics.心理声学中的变换式上下方法。
Percept Psychophys. 1994 Aug;56(2):221-6. doi: 10.3758/bf03213900.
4
Spectral effects in the perception of pure and tempered intervals: discrimination and beats.
Percept Psychophys. 1984 Feb;35(2):173-85. doi: 10.3758/bf03203897.
5
The effect of fundamental frequency on the discriminability between pure and tempered fifths and major thirds.基频对纯五度、大三度与平均律五度、大三度之间可区分性的影响。
Percept Psychophys. 1985 Jun;37(6):507-14. doi: 10.3758/bf03204914.
J Acoust Soc Am. 1971 Feb;49(2):Suppl 2:467+.
4
Categorical perception--phenomenon or epiphenomenon: evidence from experiments in the perception of melodic musical intervals.
J Acoust Soc Am. 1978 Feb;63(2):456-68. doi: 10.1121/1.381737.
5
Identification, discrimination, and selective adaptation of simultaneous musical intervals.同时出现的音乐音程的识别、辨别和选择性适应。
Percept Psychophys. 1979 Nov;26(5):384-95. doi: 10.3758/bf03204164.