Brandt Teun Joshua
Department of European Literature and Culture and Department of Theoretical Philosophy (Interfaculty Position), University of Groningen, Groningen, The Netherlands.
Hist Philos Life Sci. 2025 Jul 1;47(3):32. doi: 10.1007/s40656-025-00682-6.
Microbes emerge as the protagonists of new scientific narratives of the deep-sea, functioning as life-givers in biological communities or central actors in geochemical cycles essential to the functioning of the Earth system. This paper aims to address the significant discrepancy between present-day scientific knowledge and popular narratives of the deep, with a particular focus on the narrative representation of deep-sea microbes. In the face of looming deep-sea ecocide, it is crucial to incorporate knowledge of the microbial 'unseen majority' into our ecological imagination and challenge the 'size bias' towards larger organisms. However, problematic narratives-such as portraying the deep-sea as a barren place, as a place full of alien life, or as the last frontier on earth-persist in the cultural imagination and deflect profound engagement with deep-sea microbial worlds. I discuss Frank Schätzing's novel Der Schwarm (2004) as a hopeful exception, proving that a profound engagement with deep-sea worlds does not defy the dynamics of popular fiction. Instead of recycling old storylines, the novel articulates the relevance of deep-sea ecosystems to the Earth system and positions the deep-sea microbe as an important actor in human lifeworlds instead of letting it reside at the fringes of the cultural imagination.
微生物成为深海新科学叙事的主角,在生物群落中充当生命赋予者,或在地球系统运作所必需的地球化学循环中扮演核心角色。本文旨在解决当今科学知识与关于深海的大众叙事之间的重大差异,特别关注深海微生物的叙事呈现。面对迫在眉睫的深海生态灭绝,将微生物“看不见的大多数”的知识纳入我们的生态想象,并挑战对大型生物的“体型偏见”至关重要。然而,诸如将深海描绘成荒芜之地、充满外星生命之地或地球上最后边疆等有问题的叙事,在文化想象中依然存在,并阻碍了对深海微生物世界的深入参与。我将弗兰克·沙茨廷的小说《群》(2004年)作为一个有希望的例外进行讨论,证明对深海世界的深入参与并不违背通俗小说的动态发展。该小说没有重复旧的故事情节,而是阐明了深海生态系统与地球系统的相关性,并将深海微生物定位为人类生活世界中的重要角色,而不是让它处于文化想象的边缘。