Gori Monica, Sandini Giulio
Istituto Italiano di Tecnologia - Unit for Visually Impaired People (U-VIP), Genova, Italy.
Istituto Italiano di Tecnologia - Robotics, Brain and Cognitive Sciences (RBCS), Genova, Italy.
Front Psychol. 2025 Aug 21;16:1630107. doi: 10.3389/fpsyg.2025.1630107. eCollection 2025.
Painting comes from the desire to create through movement and color a non-existent image, making it real. To create a new pictorial composition, a close harmony between the creative process and the motor act is necessary. The technique represents the ability to generate motor actions and to interpret the "language" of colors and shapes. Creativity is the ability, through imaginative, cognitive, and perceptive sensory skills, to transfer creative work on canvas. The action itself is, therefore, a disappearing ghost of creativity; leaving the result of the pictorial work. In this article, starting from the reflections of those who preceded us, we will discuss the intersection between neuroscience and art by discussing action and multisensory perception in painting. We propose an interdisciplinary link between art, neuroscience, and technology that can open up new research directions and artistic methodologies. The final goal of our perspective is to highlight the process behind the creation of a painting highlighting how action, multisensory perception and new technologies interact in the creative process.
绘画源自通过运动和色彩创造出一个不存在的形象并使其变得真实的欲望。要创作一幅新的绘画作品,创作过程与运动行为之间必须紧密协调。技巧代表了产生运动行为以及解读色彩和形状“语言”的能力。创造力是通过想象、认知和感知等感官技能将创造性作品呈现在画布上的能力。因此,行动本身是创造力消失的幻影,只留下绘画作品的成果。在本文中,我们将从先辈们的思考出发,通过探讨绘画中的行动和多感官感知来讨论神经科学与艺术的交叉点。我们提出艺术、神经科学和技术之间的跨学科联系,这可以开辟新的研究方向和艺术方法。我们观点的最终目标是突出绘画创作背后的过程,强调行动、多感官感知和新技术在创作过程中是如何相互作用的。