Degree of ear asymmetries for perception of dichotic chords and for illusory chord localization in musicians of different levels of competence.

Left-ear superiority for perception of dichotically presented musical chords was seen in musicians at all levels of competence. However, a hypothesis that dominance would be greater in the more professional musicians was not confirmed. Whereas many of the professionals did have the largest left-ear preferences, about half had strong right-ear superiorities instead. On the average, therefore, there was no ear dominance for the two most professional groups, although the other groups had the expected left-ear dominance. Furthermore, ear differences for the professional groups were distributed only in the categories of weak to strong left- and weak to strong right-ear preferences, whereas ear differences for the other groups included also the central categories of no or little ear preference. The better musician groups were also more strongly affected by an auditory illusion in which right-ear dominance occurred when subjects reported the ear receiving the high chord, whereas left-ear dominance was seen when they reported the ear receiving the low chord (for the same dichotic pair). That is, ear dominance was dependent on instructions, switching in the same subject from left to right ear when the task changed from reporting the location of the low to reporting the location of the high chord, respectively. However, ear dominance and switching were only partially present in nonmusicians and were weak in amateurs. It may be that ear dominance for chord recognition is influenced by specialized cognitive development in musicians, on the one hand, and by noncognitive neurophysiological factors on the other.