A figural approach to the role of melodic contour in melody recognition.

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作者信息

Dyson M C, Watkins A J

出版信息

Percept Psychophys. 1984 May;35(5):477-88. doi: 10.3758/bf03203924.

DOI:10.3758/bf03203924

PMID:6462874

Abstract

摘要

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本文引用的文献

An experimental study of auditory patterns.

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Some informational aspects of visual perception.视觉感知的一些信息方面。

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Two stages in visual matching.

Can J Psychol. 1980 Mar;34(1):49-61. doi: 10.1037/h0081019.

The role of tone height, melodic contour, and tone chroma in melody recognition.音高、旋律轮廓和音级在旋律识别中的作用。

J Exp Psychol Hum Learn. 1980 Jan;6(1):77-90.

Erratum: "melodic accent: experiments and a tentative model" [J. Acoust. Soc. Am. 71, 1596-1605 (1982)].勘误：《旋律重音：实验与一个初步模型》[《美国声学学会杂志》71, 1596 - 1605 (1982)] 。

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Information theory and figure perception: the metaphor that failed.

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Acoustic correlates of stress.

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Primary auditory stream segregation and perception of order in rapid sequences of tones.

J Exp Psychol. 1971 Aug;89(2):244-9. doi: 10.1037/h0031163.

Contour, interval, and pitch recognition in memory for melodies.旋律记忆中的轮廓、音程和音高识别。

J Acoust Soc Am. 1971 Feb;49(2):Suppl 2:524+. doi: 10.1121/1.1912382.

Identification of temporal order in three-tone sequences.三音序列中时间顺序的识别。

J Acoust Soc Am. 1974 Jul;56(1):144-51. doi: 10.1121/1.1903245.

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