Scale, key, and contour in the discrimination of tuned and mistuned approximations to melody.

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作者信息

Watkins A J

出版信息

Percept Psychophys. 1985 Apr;37(4):275-85. doi: 10.3758/bf03211349.

DOI:10.3758/bf03211349

PMID:4034344

Abstract

摘要

相似文献

Scale, key, and contour in the discrimination of tuned and mistuned approximations to melody.

Percept Psychophys. 1985 Apr;37(4):275-85. doi: 10.3758/bf03211349.

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Melody recognition: the experimental application of musical rules.

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Representation and execution of vocal motor programs for expert singing of tonal melodies.

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引用本文的文献

Effects of length, tonal structure, and contour in the recognition of tone series.

Percept Psychophys. 1994 Jun;55(6):623-32. doi: 10.3758/bf03211677.

Maximum key-profile correlation (MKC) as a measure of tonal structure in music.

Percept Psychophys. 1994 Sep;56(3):335-46. doi: 10.3758/bf03209767.

Dynamic pattern structure in music: recent theory and research.

Percept Psychophys. 1987 Jun;41(6):621-34. doi: 10.3758/bf03210494.

Some influences of accent structure on melody recognition.

Mem Cognit. 1991 Jan;19(1):8-20. doi: 10.3758/bf03198492.

Tonal strength and melody recognition after long and short delays.

Percept Psychophys. 1991 Oct;50(4):305-13. doi: 10.3758/bf03212222.

本文引用的文献

On the Theory of Scales of Measurement.

Science. 1946 Jun 7;103(2684):677-80. doi: 10.1126/science.103.2684.677.

An experimental study of auditory patterns.

Am J Psychol. 1951 Jan;64(1):68-77.

Recognition of distorted melodies.

Am J Psychol. 1960 Mar;73:100-7.

The role of tone height, melodic contour, and tone chroma in melody recognition.

J Exp Psychol Hum Learn. 1980 Jan;6(1):77-90.

Invariants in auditory frequency relations.

Scand J Psychol. 1981;22(3):129-44. doi: 10.1111/j.1467-9450.1981.tb00388.x.

Perceptual equivalence of acoustic cues in speech and nonspeech perception.

Percept Psychophys. 1981 Mar;29(3):191-211. doi: 10.3758/bf03207286.

Phonetic trading relations and context effects: new experimental evidence for a speech mode of perception.

Psychol Bull. 1982 Jul;92(1):81-110.

Acquisition of the hierarchy of tonal functions in music.

Mem Cognit. 1982 May;10(3):243-51. doi: 10.3758/bf03197636.

A tutorial on some issues and methods in serial pattern research.

Percept Psychophys. 1981 Nov;30(5):492-504. doi: 10.3758/bf03204846.

Erratum: "melodic accent: experiments and a tentative model" [J. Acoust. Soc. Am. 71, 1596-1605 (1982)].

J Acoust Soc Am. 1983 Jan;73(1):373. doi: 10.1121/1.389590.

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相似文献

Scale, key, and contour in the discrimination of tuned and mistuned approximations to melody.

Percept Psychophys. 1985 Apr;37(4):275-85. doi: 10.3758/bf03211349.

Acta Psychol (Amst). 1996 Aug;92(3):283-95. doi: 10.1016/0001-6918(95)00043-7.

Tonal strength and melody recognition after long and short delays.

Percept Psychophys. 1991 Oct;50(4):305-13. doi: 10.3758/bf03212222.

Contributions of pitch contour, tonality, rhythm, and meter to melodic similarity.

J Exp Psychol Hum Percept Perform. 2014 Dec;40(6):2319-37. doi: 10.1037/a0038010. Epub 2014 Sep 29.

The role of contour and intervals in the recognition of melody parts: evidence from cerebral asymmetries in musicians.

Neuropsychologia. 1992 Mar;30(3):277-92. doi: 10.1016/0028-3932(92)90005-7.

The influence of height and key on the perceptual similarity of transposed melodies.

Percept Psychophys. 1996 Nov;58(8):1252-9. doi: 10.3758/bf03207557.

Expectations for melodic contours transcend pitch.

J Exp Psychol Hum Percept Perform. 2014 Dec;40(6):2338-47. doi: 10.1037/a0038291. Epub 2014 Nov 3.

Melody recognition: the experimental application of musical rules.

Can J Psychol. 1979 Sep;33(3):148-57. doi: 10.1037/h0081713.

Representation and execution of vocal motor programs for expert singing of tonal melodies.

J Exp Psychol Hum Percept Perform. 2006 Aug;32(4):944-63. doi: 10.1037/0096-1523.32.4.944.

Geometrical approximations to the structure of musical pitch.

Psychol Rev. 1982 Jul;89(4):305-33.

引用本文的文献

Effects of length, tonal structure, and contour in the recognition of tone series.

Percept Psychophys. 1994 Jun;55(6):623-32. doi: 10.3758/bf03211677.

Maximum key-profile correlation (MKC) as a measure of tonal structure in music.

Percept Psychophys. 1994 Sep;56(3):335-46. doi: 10.3758/bf03209767.

Dynamic pattern structure in music: recent theory and research.

Percept Psychophys. 1987 Jun;41(6):621-34. doi: 10.3758/bf03210494.

Some influences of accent structure on melody recognition.

Mem Cognit. 1991 Jan;19(1):8-20. doi: 10.3758/bf03198492.

Tonal strength and melody recognition after long and short delays.

Percept Psychophys. 1991 Oct;50(4):305-13. doi: 10.3758/bf03212222.

本文引用的文献

On the Theory of Scales of Measurement.

Science. 1946 Jun 7;103(2684):677-80. doi: 10.1126/science.103.2684.677.

An experimental study of auditory patterns.

Am J Psychol. 1951 Jan;64(1):68-77.

Recognition of distorted melodies.

Am J Psychol. 1960 Mar;73:100-7.

The role of tone height, melodic contour, and tone chroma in melody recognition.

J Exp Psychol Hum Learn. 1980 Jan;6(1):77-90.

Invariants in auditory frequency relations.

Scand J Psychol. 1981;22(3):129-44. doi: 10.1111/j.1467-9450.1981.tb00388.x.

Perceptual equivalence of acoustic cues in speech and nonspeech perception.

Percept Psychophys. 1981 Mar;29(3):191-211. doi: 10.3758/bf03207286.

Phonetic trading relations and context effects: new experimental evidence for a speech mode of perception.

Psychol Bull. 1982 Jul;92(1):81-110.

Acquisition of the hierarchy of tonal functions in music.

Mem Cognit. 1982 May;10(3):243-51. doi: 10.3758/bf03197636.

A tutorial on some issues and methods in serial pattern research.

Percept Psychophys. 1981 Nov;30(5):492-504. doi: 10.3758/bf03204846.

Erratum: "melodic accent: experiments and a tentative model" [J. Acoust. Soc. Am. 71, 1596-1605 (1982)].

J Acoust Soc Am. 1983 Jan;73(1):373. doi: 10.1121/1.389590.