Mueller L K
J Psychol. 1978 Mar;98(2d Half):253-60. doi: 10.1080/00223980.1978.9915969.
Enhancement of creativity through various educational "training" methods or external factors fostering creative production has long been demonstrated. The assumption has been that creativity exists as a given quantity in trait form, or that progressive learning takes place. Social observational modeling is investigated here as a technique that can both increase and decrease level of creative production in the individual despite every opportunity presented to respond freely and without (a) resort to any direct education or reinforcement methods or (b) the presence of environmental constraints. One hundred and twenty female university students were assessed for creativity on one figural and one verbal task of the Torrance Tests of Creative Thinking and the components of fluence, flexibility, originality, and elaboration. Ss then observed either high, low, or no figural creative model performance based on normative responses of past Ss and were reassessed on alternate test forms. Reassessment showed both predicted increases and decreases in component verbal creativity scores.
长期以来,通过各种教育“训练”方法或促进创造性产出的外部因素来提高创造力已得到证实。一种假设是,创造力以特质形式作为一种既定的量存在,或者存在渐进式学习。这里研究社会观察建模这一技术,它既能提高也能降低个体的创造性产出水平,尽管提供了各种机会让个体自由回应,且(a)不采用任何直接教育或强化方法,(b)不存在环境限制。对120名女大学生进行了托兰斯创造性思维测验的一项图形任务和一项言语任务的创造力评估,评估内容包括流畅性、灵活性、独创性和详尽性等成分。然后,根据以往被试的常模反应,被试观察高、低或无图形创造性榜样的表现,并通过备用测试形式进行重新评估。重新评估显示,言语创造力成分得分既有预期的提高,也有预期的降低。