Miller D G, Schutte H K
Ear, Nose and Throat Clinic, University Hospital, Groningen, The Netherlands.
Folia Phoniatr Logop. 1994;46(4):157-70. doi: 10.1159/000266309.
For male singers in the western operatic tradition the upper part of the frequency range contains a series of pitches called passaggio, the transition between 'chest' and 'head' registers. Although there is no generally accepted objective definition of the distinction between 'head' and 'chest', the distinction is widely recognized among singers and voice teachers, as is the term 'cover', a technique often considered to be helpful in a proper execution of passaggio. On the basis of spectrographic, electroglottographic, and sub- and supraglottal pressure measurements on professional singers' 'correct' and 'incorrect' singing of passaggio, this study offers a definition of the 'chest'/'head' distinction.
对于西方歌剧传统中的男歌手而言，频率范围的上部包含一系列被称为过渡音区的音高，即“胸声”和“头声”发声方式之间的转换。尽管对于“头声”和“胸声”之间的区别尚无普遍认可的客观定义，但这种区别在歌手和声乐教师中广为人知，“掩盖”这一术语也是如此，这是一种常被认为有助于正确演绎过渡音区的技巧。基于对专业歌手“正确”和“错误”演唱过渡音区时的频谱、电声门图以及声门下和声门上压力测量，本研究给出了“胸声”/“头声”区别的定义。
