Schade G, Adelmann W, Müller F, Mantay C, Fleischer S, Leuwer R, Bubenheim M, Berger J, Hess M
Poliklinik für Hör-, Stimm- und Sprachheilkunde, Universitätsklinikum Hamburg-Eppendorf.
Laryngorhinootologie. 2003 Aug;82(8):541-51. doi: 10.1055/s-2003-41236.
In this study we compared the perceived diameter of the vocal tract's oropharyngeal part with the diameter that was determined endoscopically.
28 singers (13 male, 15 female) were examined with transnasal fiberscopic pharyngoscopy while singing the vowels /a/, /i/ and /u/ in 4 different timbres (normal, opened, covered, dumpled) and 3 different pitches (chest/modal register, subjective comfortable pitch for singing, head/falsetto register). The tactile-kinesthetic and auditive rating of the singers, the auditive rating of a singing teacher and the visual-endoscopic analysis of three laryngologists were compared.
The tactile-kinesthetic and auditory self-perception of the singers was quite different from the auditive perception of a singing teacher and visual endoscopic findings of the laryngologists. The singers had the impression that the different singing timbres (normal, opened, covered, dumpled) influence oropharyngeal vocal tract space during singing. They judged the vowel itself and the pitch as having very little influence. Based on his auditory perception, the singing teacher also rated that the timbre plays an important role for the oropharyngeal vocal tract space but he found vowels to be the parameter with the greatest impact. Via visual endoscopic examination we found that, among the three parameters (vowel, timbre, pitch), the different vowels are most influential on the oropharyngeal vocal tract space. Analysis of video sequences revealed that pitch and timbre are less important.
Subjective tactile-kinesthetic and auditory perception of the singers differs from auditory perception of the singing teacher as well as from endoscopic findings. The endoscopically determined oropharyngeal vocal tract space during singing the vowels /i/ or /u/ tends to be larger compared to the oropharyngeal vocal tract space while singing the vowel /a/.
在本研究中,我们比较了声道口咽部分的感知直径与通过内窥镜确定的直径。
对28名歌手(13名男性,15名女性)进行经鼻纤维喉镜检查,他们在演唱元音/a/、/i/和/u/时采用4种不同的音色(正常、开放、掩盖、闷暗)和3种不同的音高(胸声/正常发声区、主观舒适演唱音高、头声/假声区)。比较了歌手的触觉 - 动觉和听觉评分、一名声乐教师的听觉评分以及三位喉科医生的视觉 - 内窥镜分析结果。
歌手的触觉 - 动觉和听觉自我感知与声乐教师的听觉感知以及喉科医生的视觉内窥镜检查结果有很大不同。歌手们感觉不同的演唱音色(正常、开放、掩盖、闷暗)在演唱过程中会影响口咽声道空间。他们认为元音本身和音高的影响很小。基于听觉感知,声乐教师也认为音色对口咽声道空间起着重要作用,但他发现元音是影响最大的参数。通过视觉内窥镜检查,我们发现,在三个参数(元音、音色、音高)中,不同的元音对口咽声道空间影响最大。视频序列分析表明,音高和音色的影响较小。
歌手的主观触觉 - 动觉和听觉感知与声乐教师的听觉感知以及内窥镜检查结果不同。与演唱元音/a/时相比,演唱元音/i/或/u/时通过内窥镜确定的口咽声道空间往往更大。