Viederman M
New York Hospital-Cornell Medical Ctr., NY 10021.
Psychoanal Q. 1993 Oct;62(4):615-27.
Picasso and Matisse renewed their relationship in 1946 as the aging Matisse approached death. Picasso, ordinarily contemptuous of others and indifferent to their needs, revealed a markedly different attitude toward Matisse, whom he admired and whose affection and approbation he sought. The roots of Picasso's attitude are traced to his morbid concern about bodily deterioration and fear of death. Matisse, apparently serene in his confrontation with approaching death, represented an ideal to Picasso, a hoped-for remedy for anxiety, a confident paternal representation so unlike his father. Freud's view of death, poetically expressed in his paper, "On Transience," is a model for contrasting Picasso's "revolt . . . against mourning" with Matisse's sense of symbolic immortality.
1946年,随着年迈的马蒂斯临近死亡,毕加索与他重新建立了关系。毕加索通常蔑视他人且对他们的需求漠不关心,但他对马蒂斯却表现出截然不同的态度,他钦佩马蒂斯,并寻求马蒂斯的喜爱与认可。毕加索这种态度的根源可追溯到他对身体衰弱的病态担忧以及对死亡的恐惧。马蒂斯在面对死亡临近时显然很平静,这对毕加索来说是一种理想,是焦虑的一种希望得到的补救办法,是一种自信的父亲形象,与他自己的父亲截然不同。弗洛伊德在其论文《论短暂性》中富有诗意地表达的死亡观,是将毕加索的“反抗……哀悼”与马蒂斯的象征不朽感进行对比的一个典范。