Aylwin S
Br J Psychol. 1977 Aug;68(3):353-60. doi: 10.1111/j.2044-8295.1977.tb01600.x.
A free association technique was used to investigate the semantic structure of three forms of encoding: verbal, visual imagery, and kinaesthetic imagery. Kinaesthetic imagery involves imagined bodily identification with the stimuli (animal names) and is included because of its possible involvement in creativity, and in view of the importance of enactive representation in cognitive development. The analysis of evoked associations in terms of the propositional relations they bear to the stimuli, shows that the actor-action-object framework is particularly important in kinaesthetic imagery, and the whole-part structure in visual imagery. Verbal representation gives rise to various abstract and phonemically based association types. The relevance of these findings to creativity and to the concept of semantic memory is discussed.
言语编码、视觉意象编码和动觉意象编码。动觉意象涉及与刺激物(动物名称)进行想象中的身体关联,之所以纳入该编码形式,是因为它可能与创造力有关,且鉴于动作表征在认知发展中的重要性。从诱发联想与刺激物之间的命题关系角度对其进行分析,结果表明,施动者—动作—对象框架在动觉意象中尤为重要,而整体—部分结构在视觉意象中较为重要。言语表征会产生各种基于抽象和音素的联想类型。文中讨论了这些发现与创造力以及语义记忆概念的相关性。