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芭蕾舞演员第二跖骨基部应力性骨折

Stress fractures at the base of the second metatarsal in ballet dancers.

作者信息

O'Malley M J, Hamilton W G, Munyak J, DeFranco M J

机构信息

Cornell University Medical College, NY 10021, USA.

出版信息

Foot Ankle Int. 1996 Feb;17(2):89-94. doi: 10.1177/107110079601700206.

Abstract

Stress fractures are a frequent injury in ballet companies and the most common location is at the base of the second metatarsal. While previous reports have focused on risk factors for this injury (overtraining, delayed menarche, poor nutrition), there is no published series describing the natural history and outcome following this fracture. We reviewed the office records of the senior author and identified 51 professional dancers (64 fractures) who sustained a stress fracture at the base of the second metatarsal. History of a previous stress fracture in the lower extremity was seen in 19 patients and delayed menarche in the women was common. The clinical presentation was insidious onset of midfoot pain an average of 2.5 weeks prior to seeking medical care. The initial radiographs of the foot were positive in 19 patients, questionable in 3 patients, and negative in 42 patients. The usual location of the fracture was at the proximal metaphyseal-diaphyseal junction (three fractures extended into the tarsometatarsal joint). Treatment consisted of a short leg walking cast for 6 patients, and a wooden shoe and symptomatic treatment for the remainder. At follow-up, 14% of patients still had occasional pain or stiffness in the midfoot with dancing. The patients returned to performance at an average of 6.2 weeks following diagnosis. No patients required bone grafting for persistent symptoms. There were eight refractures (at the same site) occurring an average of 4.3 years, all of which healed with conservative care. Stress fractures at the base of the second metatarsal are common in ballet dancers and can usually be treated with symptomatically. The results of this study are discussed in terms of risk factors, the use of a posterior-anterior view of the foot to eliminate overlap at Lisfranc's joint, and our present treatment regimen.

摘要

应力性骨折在芭蕾舞团中是一种常见损伤,最常见的部位是第二跖骨基部。虽然之前的报告聚焦于这种损伤的风险因素(过度训练、初潮延迟、营养不良),但尚无已发表的系列报道描述这种骨折后的自然病程和结局。我们查阅了资深作者的门诊记录,确定了51名职业舞者(64处骨折),他们在第二跖骨基部发生了应力性骨折。19名患者有下肢既往应力性骨折史,女性初潮延迟很常见。临床表现为中足疼痛隐匿起病,平均在寻求医疗护理前2.5周出现。足部最初的X线片在19名患者中呈阳性,3名患者可疑,42名患者为阴性。骨折的常见部位是近端干骺端-骨干交界处(3处骨折延伸至跗跖关节)。6名患者采用短腿行走石膏治疗,其余患者采用木鞋和对症治疗。随访时,14%的患者在跳舞时中足仍偶尔有疼痛或僵硬感。患者在诊断后平均6.2周恢复表演。没有患者因持续症状需要植骨。有8处(同一部位)再骨折发生,平均在4.3年后,所有这些骨折经保守治疗均愈合。第二跖骨基部的应力性骨折在芭蕾舞演员中很常见,通常可以对症治疗。本研究结果从风险因素、使用足部前后位片以消除Lisfranc关节处的重叠以及我们目前的治疗方案等方面进行了讨论。

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