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节律性与脑功能之间的联系。

The connection between rhythmicity and brain function.

作者信息

Thaut M H, Kenyon G P, Schauer M L, McIntosh G C

机构信息

Dept. of Music, Theater, Dance, Colorado State University, Ft. Collins, USA.

出版信息

IEEE Eng Med Biol Mag. 1999 Mar-Apr;18(2):101-8. doi: 10.1109/51.752991.

Abstract

Although rhythm and music are not entirely synonymous terms, rhythm constitutes one of the most essential structural and organizational elements of music. When considering the effect of music on human adaptation, the profound effect of rhythm on the motor system strongly suggests that the time structure of music is the essential element relating music specifically to motor behavior. Why the motor system appears so sensitive to auditory priming and timing stimulation can only be partially answered so far. The high-performance function of the auditory system regarding processing of time information makes good functional sense within the constraints of auditory sensory processing. Thus, the motor system sensitivity to auditory entrainment may simply be an evolutionary useful function of taking advantage of the specific and unique aspects of auditory information processing for enhanced control and organization of motor behavior; e.g, in the time domain. Unlike processes in the motor system, many other physiological processes cannot be effectively entrained by external sensory stimuli. For example, there is probably a very good protective reason why other cyclical physiological processes (e.g., autonomic processes such as heart rate) have only very limited entrainment capacity to external rhythmic cues. Some of the basic auditory-motor arousal connections may also have their basis in adaptive evolutionary processes related to survival behavior; e.g., in fight or flight reactions. Much of the "why" in auditory-motor interactions, however, remains unknown heuristically. In the absence of this knowledge, great care should be taken to not compensate for this lack of understanding of specific cause and effect processes by assigning anthropomorphic descriptions to the behavior of biological and physical systems. The unraveling of the perceptual, physiological, and neuroanatomical basis of the interaction between rhythm and movement has been, and continues to be, a fascinating endeavor with important ramifications for the study of brain function, sensory perception, and motor behavior. One of the most exciting findings in this research, however, may be the evidence that the interaction between auditory rhythm and physical response can be effectively harnessed for specific therapeutic purposes in the rehabilitation of persons with movement disorders.

摘要

尽管节奏和音乐并非完全同义,但节奏是音乐最重要的结构和组织元素之一。在考虑音乐对人类适应的影响时,节奏对运动系统的深远影响有力地表明,音乐的时间结构是将音乐与运动行为特别联系起来的关键要素。到目前为止,对于运动系统为何对听觉启动和定时刺激如此敏感,只能给出部分答案。听觉系统在处理时间信息方面的高性能功能,在听觉感觉处理的限制范围内具有良好的功能意义。因此,运动系统对听觉夹带的敏感性可能仅仅是一种进化上有用的功能,即利用听觉信息处理的特定和独特方面来增强对运动行为的控制和组织,例如在时域方面。与运动系统中的过程不同,许多其他生理过程无法被外部感觉刺激有效夹带。例如,其他周期性生理过程(如心率等自主过程)对外部节奏线索的夹带能力非常有限,这可能有很好的保护原因。一些基本的听觉 - 运动唤醒联系也可能基于与生存行为相关的适应性进化过程,例如在战斗或逃跑反应中。然而,听觉 - 运动相互作用中的许多“为什么”在启发式层面上仍然未知。在缺乏这些知识的情况下,应格外小心,不要通过赋予生物和物理系统行为拟人化描述来弥补对特定因果过程理解的不足。节奏与运动之间相互作用的感知、生理和神经解剖学基础的揭示一直是且仍将是一项引人入胜的工作,对脑功能、感官知觉和运动行为的研究具有重要影响。然而,这项研究中最令人兴奋

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