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节奏诱导作为一种音乐情感诱导机制。

Rhythmic entrainment as a musical affect induction mechanism.

作者信息

J Trost W, Labbé C, Grandjean D

机构信息

Swiss Center for Affective Sciences, CISA - University of Geneva, Chemin des Mines 9, CH1202 Geneva, Switzerland; Neuroscience of Emotion and Affective Dynamics Laboratory, Swiss Center for Affective Sciences, University of Geneva, Switzerland.

Swiss Center for Affective Sciences, CISA - University of Geneva, Chemin des Mines 9, CH1202 Geneva, Switzerland; Neuroscience of Emotion and Affective Dynamics Laboratory, Swiss Center for Affective Sciences, University of Geneva, Switzerland.

出版信息

Neuropsychologia. 2017 Feb;96:96-110. doi: 10.1016/j.neuropsychologia.2017.01.004. Epub 2017 Jan 7.

Abstract

One especially important feature of metrical music is that it contains periodicities that listeners' bodily rhythms can adapt to. Recent psychological frameworks have introduced the notion of rhythmic entrainment, among other mechanisms, as an emotion induction principle. In this review paper, we discuss rhythmic entrainment as an affect induction mechanism by differentiating four levels of entrainment in humans-perceptual, autonomic physiological, motor, and social-all of which could contribute to a subjective feeling component. We review the theoretical and empirical literature on rhythmic entrainment to music that supports the existence of these different levels of entrainment by describing the phenomena and characterizing the associated underlying brain processes. The goal of this review is to present the theoretical implications and empirical findings about rhythmic entrainment as an important principle at the basis of affect induction via music, since it rests upon the temporal dimension of music, which is a specificity of music as an affective stimulus.

摘要

韵律音乐的一个特别重要的特征是它包含听众身体节奏能够适应的周期性。最近的心理学框架引入了节奏同步化的概念,以及其他机制,作为一种情感诱导原则。在这篇综述论文中,我们通过区分人类节奏同步化的四个层次——感知、自主生理、运动和社交,来讨论节奏同步化作为一种情感诱导机制,所有这些层次都可能促成主观感受成分。我们回顾了关于音乐节奏同步化的理论和实证文献,通过描述现象和刻画相关的潜在大脑过程,来支持这些不同层次同步化的存在。这篇综述的目的是呈现关于节奏同步化的理论意义和实证发现,它是通过音乐进行情感诱导的一个重要原则,因为它基于音乐的时间维度,而这是音乐作为一种情感刺激的独特之处。

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