Pressnitzer D, McAdams S, Winsberg S, Fineberg J
IRCAM-CNRS, Paris, France.
Percept Psychophys. 2000 Jan;62(1):66-80. doi: 10.3758/bf03212061.
Can tension in nontonal music be expressed without dynamic or rhythmic cues? Perceptual theories of tonal harmony predict that psychoacoustic roughness plays an important role in the perception of this tension. We chose a set of orchestrated chords from a nontonal piece and investigated listeners' judgments of musical tension and roughness. Paired comparisons yielded psychophysical scales of tension and roughness. Two experiments established distinct levels of these two attributes across chords. A model simulation reproduced the experimental roughness measures. The results indicate that nontonal tension could be perceived consistently on the basis of timbral differences and that it was correlated with roughness, the correlation being stronger as the perceptual salience of other attributes (such as high-pitched tones or tonal intervals) was reduced.
无调性音乐中的紧张感能否在没有力度或节奏线索的情况下表现出来？调性和声的感知理论预测，心理声学粗糙度在这种紧张感的感知中起着重要作用。我们从一首无调性作品中选取了一组管弦乐和弦，并研究了听众对音乐紧张感和粗糙度的判断。配对比较得出了紧张感和粗糙度的心理物理量表。两个实验确定了不同和弦在这两个属性上的不同水平。一个模型模拟再现了实验中的粗糙度测量结果。结果表明，无调性紧张感可以基于音色差异被一致地感知，并且它与粗糙度相关，随着其他属性（如高音调或音程）的感知显著性降低，这种相关性更强。
