Dumaitre P
Hist Sci Med. 1995;29(3):253-60.
The 16th century by its passionate side has been the favourite one of authors of historical novels in which among the heroes of "cloak and dagger stories" appears sometime Ambroise Paré. Alexandre Dumas (the father) has shown him at the court of Charles IX in La Reine Margot (1845) where he does not however play a great role. On the contrary, Balzac in Le Martyr calviniste (1842) has given him a capital part close to the dying François II, whom he intended to trepanize but had to give up this idea as a consequence of the opposition of the queen-mother Catherine de Médicis. In the present century, Robert Merle in Paris ma bonne ville (Fortune de France, 3, 1980) shows Paré at the time of the Saint Barthélemy.
16世纪因其充满激情的一面,一直是历史小说作者们喜爱的时代,在“间谍故事”的英雄人物中,有时会出现安布鲁瓦兹·帕雷。大仲马(父亲)在《玛戈王后》(1845年)中展现了他在查理九世宫廷中的形象,不过他在其中戏份不多。相反,巴尔扎克在《加尔文派殉道者》(1842年)中赋予他一个重要角色,剧情围绕濒死的弗朗索瓦二世展开,帕雷本打算为其施行环锯术,但由于王太后凯瑟琳·德·美第奇的反对,他不得不放弃这个想法。在本世纪,罗伯特·梅尔在《巴黎,我的好城市》(《法兰西的命运》第3卷,1980年)中描绘了圣巴托罗缪之夜时期的帕雷。