Martínez Vidal A, Pardo Tomás J
Uníversidad Autónoma de Barcelona.
Dynamis. 1995;15:301-40.
Pierre Régis, a French Calvinist physician exiled in Holland, made a disparaging mention to the Spaniards and the Portuguese in his foreword to M. Malpighi's Opera Posthuma (Amsterdam, 1698). Several Spanish physicians, especially Diego Mateo Zapata, replied to Régis's invective in an attempt to win support from the new Borbonic dynasty for the scientific renovation movement started in the last decades of the seventeenth century. Two major institutions were involved in the replies: the Royal Society of Medicine and other sciences of Seville, and the Anatomical Theatre of the General Hospital of Madrid, both created during the reign of Charles II of Austria. The self-perception of the Spanish medical novatores and their awareness of the backwardness of Spanish science with regard to Europe are analyzed.
皮埃尔·雷吉斯是一位流亡荷兰的法国加尔文派医生,他在马尔皮基的《遗作》(阿姆斯特丹,1698年)前言中对西班牙人和葡萄牙人进行了贬低性提及。几位西班牙医生,尤其是迭戈·马特奥·萨帕塔,回应了雷吉斯的谩骂,试图为始于17世纪最后几十年的科学革新运动赢得新波旁王朝的支持。有两个主要机构参与了回应:塞维利亚皇家医学与其他科学学会,以及马德里总医院的解剖剧场,这两个机构都是在奥地利的查理二世统治期间设立的。本文分析了西班牙医学创新者的自我认知以及他们对西班牙科学相对于欧洲的落后状况的认识。