McBeath Michael K, Neuhoff John G
Arizona State University, Tempe, USA.
Psychon Bull Rev. 2002 Jun;9(2):306-13. doi: 10.3758/bf03196286.
Historically, auditory pitch has been considered to be a function of acoustic frequency, with only a small effect being due to absolute intensity. Yet we found that when tones are Doppler shifted so that frequency drops, the pitch dramatically rises and falls, closely following the pattern of dynamic intensity change. We show that continuous intensity change can produce pitch variation comparable to a frequency change approaching an octave. This effect opposes and is an order of magnitude larger than the well-known effect of discrete intensity change in the frequency range employed. We propose that the perceptual interaction of continuous changes in pitch and loudness reflects a natural correlation between changes in frequency and intensity that is neurally encoded to facilitate the parsing and processing of meaningful acoustic patterns.
从历史上看,听觉音高一直被认为是声频的函数,只有很小的影响是由绝对强度引起的。然而,我们发现,当音调发生多普勒频移以至于频率下降时,音高会急剧上升和下降,紧密跟随动态强度变化的模式。我们表明,连续的强度变化可以产生与接近一个八度的频率变化相当的音高变化。这种效应与在所用频率范围内离散强度变化的著名效应相反,且比其大一个数量级。我们提出,音高和响度的连续变化之间的感知相互作用反映了频率和强度变化之间的自然相关性,这种相关性在神经上进行编码,以促进对有意义的声学模式的解析和处理。